""Hot on the heels of last year's Matthew J. Rolin LP (FTR 502LP, 2019), here is a new duo recording featuring Rolin's acoustic twelve-string and the hammered-dulcimer of Jen Powers. They've had a couple previous cassettes, but I've never seen 'em! If you have, I can offer you something fine in trade. As with his first LP, Rolin's command of his guitar is quite wonderful to hear. He uses the whole breadth of the twelve-string's harmonic potential, which creates a wide surging stream of sound. Powers' work with the hammered dulcimer (an instrument we hear far too rarely these days!) utilizes a similar approach, which means we are afforded access to wide aural river into which we can dip our aching heads. A more soothing splash will be hard to find. Matt and Jen have been playing together since early 2018, when Rolin relocated from Chicago to Columbus, where they are now based. They've also worked as a trio with Jayson Gerycz playing singing bowls and like, but the tape of that session has eluded me thus far as well. Still, this duo record is a wonderful dive into their sound. The music is open and upful and filled with a kind of joy that seems in short supply these days. Recorded by Lisa Bella Donna (of the great underground prog band, EYE), mastered by Brian Sulpizio (Ryley Wakler's guitarist of choice, among other things), the debut LP by the Powers/Rolin Duo is an object of power and beauty. Let it shine, motherfucker. Let it shine." --Byron Coley, 2020 Edition of 250." - Feeding Tube Records.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.