"Restocked, last copies. On P.A./Hard Love, New York-based composer and conceptual sound artist Marina Rosenfeld generates an esoteric universe of radical sonic collisions. Developed initially in 2009, the album draws its roots following a series of idiosyncratic quasi-sculptural sound-system installations Rosenfeld installed in various disused and monumental sites including New York's Park Avenue Armory and Liverpool's Renshaw Hall car park. The music she composed for these installations was heterogeneous, repositioning resident noise from the sites (re-projected back into the sites via horns), her own voice and generous yet subtle electroacoustic elements. The results were more "tuned" atmosphere than active performance and sought to explore the potent combination of voice, amplification and space; playing with reflection and distortion, intelligibility, fantasies of publicness and broadcast. In 2012 Rosenfeld reached out to Annette Henry, aka Warrior Queen, and invited her to contribute original vocals to the project. The vocal contributions acted as a catalyst for the works; propelling the pre-existing compositions into new and unexpected directions. In combination with virtuoso cellist Okkyung Lee, the material was transplanted from live settings to the studio and transformed by a process of radical iteration. The resulting music asks questions of form, expectation and contemporary sound practices. P.A./Hard Love reveals the contingent nature of collaboration; something beautiful and complicated, and ultimately it's these relationships that form a kind of halfway point between conceptual art and contemporary music. It's in these in-between spaces that delicate, shimmering and ephemeral sounds can exist harmoniously with dissonant, abrasive, dark and complex audio states that are both explicit and ambiguous, anthemic and elusive. Limited vinyl edition of 500 copies housed in a gorgeous matte cello-glazed sleeve." - Room40.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.