"AfterSpontaneous Musicin 2018 (ET 864-01LP), Edition Telemark presentsSpace Musicby Japanese Fluxus artistTakako Saito(b. 1929) who has been living in Düsseldorf, Germany, since 1979. Similarly to the previous LP, the recordings featured here deal with everyday things and actions which Saito transforms through unique and deliberately crafted artistic interventions. ForSpace Music, pieces were selected whose acoustic outcomes involve the characteristics of the spaces in which they were recorded. Side A features two performances from 2020 in the church Kunst-Station Sankt Peter in Cologne: In "Klangkleid", Saito and co-performersBei Li ZhouandThomas Rhiemeiermove and dance in Saito's sound dresses -- jumpsuits onto which she sewed empty plastic and metal packagings to produce sounds while moving. For "Kugelmusik" ("ball music"), she chose balls made from various materials and asked audience members to roll them across the floor towards each other. Side B contains a selection of 1980s recordings that had been left out onSpontaneous Musicand are arranged here as a sound walk: After "Chewing" ("Kauen") at her kitchen table, Saito steps outside onto the construction site "Böhlerweg" near her home to record her voice in a former factory building. Finally, she walks on the street ("Auf der Straße") towards the Oberkassel district of Düsseldorf to buy her daily needs. Includes one insert with liner notes and three postcards; the sleeve and the postcards feature a series of drawings by Takako Saito from 1985; edition of 300." - Edition Telemark
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
