"Mine is the Heron is the new Tom James Scott record, the first document of his solo work since 2017. Over the past decade, the UK-based composer has released a diverse body of recordings via labels such as Bo'Weavil, Carnivals, Where To Now?, and his own impeccably curated Skire imprint. This album finds Scott in half-remembered, sanguine moods, some of which are likely to remind listeners of his collaborative work with Andrew Chalk. Fragile acoustic piano runs are meted out with painterly finger strokes, buoyed by subtle, idiosyncratic FM sound design, chimes, and guitar. Culled from recordings composed and put to tape over the past several years, the collection has the feel of a poet's selected works, or perhaps more appropriately, a compendium of letters -- exquisite vignettes that feel simultaneously private and important to disseminate into world. The hermetic nature of this quietly stunning music is evocative of abandoned shingle beaches and misty marshes, and of the Virginia Woolf novel from which the album takes its title: "Mine is the heron that stretches its vast wings lazily; and the cow that creaks as it pushes one foot before another munching; and the wild, swooping swallow; and the faint red in the sky, and the green when the red fades; the silence and the bell; the call of the man fetching cart-horses from the fields -- all are mine." Recorded by Tom James Scott on Walney Island, 2016-2019. Mastered by Kassian Troyer at Dubplates & Mastering." - Students Of Decay.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.