SHARPS, JESSE QUINTET & P.A.P.A. - Sharps And Flats
"Issued on vinyl for the first time, Outernational Sounds presents a monumental spirit music document from the Los Angeles underground -- Jesse Sharp's slept-on deep jazz classic Sharps And Flats. "He became the Ark leader -- he was hardcore. They'd all be quiet and listen to him when he talked" --Horace Tapscott, on Jesse Sharps. You could be forgiven for not knowing how important saxophonist, bandleader, and composer Jesse Sharps is. After all, the only album to come out under his name, Sharps And Flats, was recorded in 1985, and wasn't issued on CD until 2004. But despite this seemingly small recorded footprint, Jesse Sharps is a major figure in the history of jazz music in Los Angeles. As the bandleader for Horace Tapscott's Pan-Afrikan People's Arkestra(P.A.P.A.) -- the Marshall Allen to Tapscott's Sun Ra -- he led Tapscott's seminal music community through its most cohesive phase. And, after a hiatus living in Europe, his return to Los Angeles in the 2000s saw him build a new group, The Gathering, which linked original heads including acclaimed singer Dwight Trible and legendary trombonist Phil Ranelin with a new generation of LA jazz voices, including none other than Kamasi Washington. Sharps has been around, and he's made an indelible mark. At college, Sharps studied under Cecil Taylor. When he came back to LA he rejoined the Arkestra on flute and reeds, and eventually took over band-leading duties from the great altoist Arthur Blythe. Trusted completely by Tapscott, as bandleader Sharps turned the Arkestra into a well-drilled unit. This was the time of the classic P.A.P.A. recordings, 1978's Flight 17 (OTR 010LP), Live at I.U.C.C. (1979), and The Call (1978), and Sharps also wrote for the band. The funky, deep spirituality of compositions like "Desert Fairy Princess", "Macramé", and "Peyote Song III" has made his tunes among most celebrated in the whole P.A.P.A. catalog. Sharps And Flats was recorded in 1985 for Tom Albach's legendary Nimbus West imprint, a label Albach had founded specifically to document the work of Horace Tapscott and his circle. Featuring a quintet of P.A.P.A. regulars at the height of their game, Sharps And Flats is one of the great lost Nimbus sessions -- it lay unissued until 2004, and never saw a vinyl press. A lost classic of the LA underground, on wax at last!" - Outernational.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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