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Twenty One Eighty Two Recording Company

SUNN TRIO - Electric Esoterica

"Phoenix is where Twenty One Eight Two Recording Company are from, but it isn't where they are at. The scene is essential to nothing, but that doesn't mean the musicians here aren't essential. Music attempts to appeal to as large an audience as possible, but composition attempts to engage the listener in something different. Enter Sunn Trio. A punk trio that is influenced by Middle Eastern psych, free jazz, and improvisation. While not recorded in a traditional studio, these recordings represent the first studio-produced sounds from this group. The group is built around Joel Robinson and has had as many as eight-to-ten members in recordings and live performances, but more recently has been focused on a trio that composes music that challenges every notion of what rock, punk, or psych can be; however, at the same time, the music is crafted with improvisational focus and middle eastern influence that should be the basis for this generation's new music. Robinson makes his melody maker sound like an oud, rabab, and even at times a gamelan when he isn't using these instruments to generate the lead lines to the compositions. The music has an import that shows a deference to eastern music, while expressing a freedom that isn't present in any modern music. We stood idle during the Arab Spring; we decimated Iraq and Afghanistan; and now we retreated from Syria as the Kurdish people struggled to survive. Sunn Trio creates music that responds to these atrocities and works to build a bridge to these people. Urgent music for urgent times. Electric Esoterica is the third album from Sunn Trio. It is the third in a series of records that revolve around Alan and Richard Bishop, Charles Gocher, W. David Oliphant, and Joel Robinson called the Mount Meru Anthology. These sounds are rooted in a history of creation in Arizona that involves people that were inspired and supported by people who do things differently. Sunn Trio wants you to listen, but don't be fucking passive." - Twenty One Eighty Two Recording Company.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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