Feeding Tube

MAZOZMA - Stark Joy

There is something very special about the sound of a bummed-out smart person alone in a room somewhere (studio or not) with just their guitar for solace. Many killer examples of the form exist -- Skip Spences Oar (1969), Pip Prouds Adrenaline And Richard (1968), Roy Montgomerys 324 E. 13th Street #7 (1999), and so on. All of these records shine with very special darkness. To this list, I submit the new Mazozma LP, Stark Joy. Kentucky ex-pat, Mike Turner has been using this recording handle for a while. We did one previous album with him, Heavy Death Head (FTR 268LP, 2017), and like most of his solo work weve heard, it was a blasted lo-fi ramble through fields of destroyed form. Elegantly crafted, but so utterly fucked-up, it could make you feel dizzy. Stark Joy is a horse of an entirely different color. The music here is song-based, only strange in its detailing, and more straight ahead than any Warmer Milks fan would dare dream. Still, the ineffable Turner genius shines through like a lighthouse in a shitstorm. Recorded on an iPhone, probably nude, Turners songs here contain a world of folk-longing, played with an all-mid-range approach that broadcasts deep spiritual weariness with the best of them. I could start name-checking the hordes, but Ill spare you. People familiar with Mikeys work will be struck by how straightforward and outright pretty his melodic constructions and guitar figures are. Those who are new to his work will just dig how open the album is. Its the kind of record that gives you a certain amount of comfort if youre wrapped up in your own personal storm. Conversely, if youre feeling good, you can focus on the vaguely upbeat tone that eventually suffuses everything. Having a hard time getting it off the turntable. Its that kind of record. Deeply personal in a certain way, but one which leaves it available to infinite interpretation, depending entirely on the listener. In a word -- interactive. As fuck. Get it today. Co-released with Mystra Records. Edition of 200. - Byron Coley.

  • Sale
  • Regular price $20.00

After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
I understand these terms