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Ecstatic Peace

MV CARBON - Dislodged Perihelion

MV Carbon is a Brooklyn-based musician/artist with a completely unconventional and wildly conceptual approach to music-making and performance. She uses fragmented field recordings, cello, guitar, analog synthesizers, samplers, drum machines, tape manipulations, and photosensitive oscillators to create eerie and weirdly unsettling compositions. Carbon has collaborated with a whos-who of avant-garde contemporanea: Aki Onda, Tony Conrad, Evan Parker, John Wiese, C Spencer Yeh, Twig Harper, Bill Nace, John Edwards, Culver (Skullflower), Okkyung Lee, Smegma and a host of others. She has performed internationally for years in galleries, rock clubs, museums, attics, basements, gardens, etc. With her band Metalux she has released music on some of the most interesting labels of the last ten years: 5RC, Load, Hanson, Veglia, No Fun, and Nihilist. Her work with the band Bride Of No No has two releases out on Atavistic. Her solo cassette tape, The Shaft, was released on Period Tapes in July 2011. Carbon is also a painter and installation artist whose artwork has been exhibited at a number of U.S. galleries. Dislodged Perihelion utilizes vintage drum machines and synths, guitar loops, tape machines, voice, and cello. The lyrics abstractly reveal particular scenarios, images, moods, and impressions where the listener feels and experiences sensations from disruption to enchantment. Edition of 300 LPs with silkscreen covers printed by Rel Records. -Ecstatic Peace

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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