"Italian sound artist Giulio Aldinucci returns with his third album on Karl, Shards Of Distant Times, a masterfully composed and sound-designed ambient masterpiece. It's a more-than-worthy follow-up to the critically acclaimed Borders And Ruins (2017) and Disappearing In A Mirror (KR 055CD/LP, 2019) which both made it onto several year's best lists. Over the course of six solo albums on labels like Dronarivm plus EPs and collaborative albums with musicians such as Ian Hawgood (Consequence Shadows (HOMEN 094CD, 2018)) Aldinucci successively has been refining his skills as composer and sound designer. His elegant style blending ambient and field recordings came to full impact on his previous Karl albums Borders And Ruins and Disappearing In A Mirror which gained the Italian sound artist a lot of critical praise and made it onto several year's best lists, such as that of Acloserlisten.com. Aldinucci's latest effort is again not only a musical masterpiece of sublime beauty and sacral majesty, it also deals with philosophical concerns. Where Borders was a reflection on the instability of borders and Disappearing In A Mirror raised the very personal question of identity, Shards Of Distant Times explores the liminal areas of the contemporary soundscape that are characterized by the presence of human voice coming from old and time-worn recordings. Like in the auditory pareidolia, the psychological phenomenon in which the mind hears indistinct voices in random noise where none exist, voices and music emerge from the everyday soundscape through the omnipresent internet connected devices, creating glitches between time and space." - Karlrecords .
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.