""Bourbonese Qualk were an experimental music group from England who were active from 1979 until 2003. The group were always obsessively and uncompromisingly focused on controlling their work -- they ran their own record label, recording studio, tour organisation and music venue (the legendary 'Ambulance Station') -- they refused to integrate into the commercial music racket turning down publishing deals from major labels -- stubbornly opting for total independence. Bourbonese Qualk were also known for their political activism which was formed in the crucible of the 1980s Britain: The Miner's Strike, Falklands/Malvinas war, Anti-fascism, Thatcherism, Moneterism, squatting/housing, local government corruption, anti-capitalism, and Anarchism -- which was further re-enforced by touring Europe and meeting like-minded groups and organisations. They saw their music as a revolutionary cultural force -- a belief that radical musical forms must be part of positive social change. Despite this position, the group avoided dogma, cliché and propaganda, preferring to let their audience come to their own conclusions -- their work was often ambiguous and directly critical of cynical power-politics of any colour -- often irritating members of the traditional 'organised left'. They never recorded in a 'proper' studio, choosing instead to work with their own extremely basic equipment (at a time when home studios were very unusual -- the unique raw sound of these recordings is the result of their choice -- which now, ironically, is in vogue due perhaps to the overwhelming obliquity of 'clean' audio digital production tools. If Bourbonese Qualk have a legacy, it is that 'culture' should be reclaimed, re-defined and owned by the people, wherever they are, however small and not by the state or the market and that 'culture' is a vital vehicle for debate and radical change. Hope was the group's second long player, released on their own Recloose Organisation label in 1984."" - Klanggalerie .
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.