"Co-released with Umland Records, Germany. On one night in 2019, The Dorf (German for "village") took a heavy dose of the music of Phill Niblock. The impact on the musicians, gathering to play a double-length version of Niblock's "Baobab" and (in a second set) three "Dorf" tunes, was deep. It felt a bit like going to church -- a truly spiritual experience. At first, the audience did not believe the announcement that the "drone" piece would last for 46 minutes. Afterwards, their reactions showed the impression Phill's music had made on them. After a 20-minute break, three pieces followed -- a different game altogether, but connected to "Baobab" in the way that the energy and the feel for the evening had been thoroughly set by Mr. Niblock. Already his physical presence changed the reception for both musicians and listeners and the taste for this "wall of sound" was palpable. The Dorf (in itself already an orchestra of something like 25 people) had been augmented by friends to a total of 35 musicians -- almost too big to be true. In the second part of the evening, Katherine Liberovskaya projected along to the music some of her outstanding video work, which is obviously not documented on this album. Play the record at a not-too-soft volume and stick with it. One way or another, the music will get to you. Recorded live on September 19, 2019, domicil Dortmund Germany. Personnel: Moritz Anthes - trombone; Marvin Blamberg - drums, sampler; Julia Brüssel - violin; Simon Camatta - drums, sampler; Denis Cosmar - sound; Marie Daniels - vocals; Felix Fritsche - saxophone; Sebastian Gerhartz - saxophone; Christian Hammer - guitar; Florian Hartlieb - computer; Stefanie Heine - saxophone; David Heiss - trumpet; Volker Kamp - bass; Oona Kastner - synth, vocals; Jan Klare - saxophone, directing; Anja Kreysing - accordeon; Maika Küster - vocals; Katherine Liberovskaya - visuals; Raissa Mehner - guitar; Alexander Morsey - sousaphone; Johannes Nebel - bass; Fabian Neubauer - keyboards; Phill Niblock - composition; Kai Niggemann - Buchla; Adrian Prost - trombone; Gilda Razani - Theremin; Guido Schlösser - synth; Ludger Schmidt - cello; Hanna Schörken - vocals; Oliver Siegel - synth; Maria Trautmann - trombone; Luise Volkmann - saxophone; Martin Verborg - violin; Andreas Wahl - guitar; Florian Walter - saxophone; Max Wehner - trombone; Emily Wittbrodt - cello; Achim Zepezauer - electronics." - XI.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.