"i recorded this project while i was living in santa clarita, ca/was at calarts. i asked six friends there—amy, ben, fernando, isaac, jordan, and tim—to be the readers of six transcription poems written specifically for each of them. these are six people (of many, of course) who i admire and who have influenced me during my time in california—by way of their work as artists and musicians, conversations we've had, seeing them at shows, playing music with them, observing their kindness toward others, their ability to challenge me to think in new ways (without explicitly meaning to), and so on. we've become (and this isn't unique or special) part of one another's (mental) social space, which is filled with countless other voices, opinions, thoughts, works, decisions, of people and places both dead and alive. some aspects of this we're aware of and some we're not. this space—which i'm fascinated by—is both imaginative and real (or makes those things fuzzy). it is hard to pin down or know what's what when consciously exploring it. maybe it is this cluelessness that i like. what i can intuit, however, is an intriguing sense of other-dimensional community and potential: an expansiveness, a kind of echoing of voices or thoughts across great distances that appear as offerings or suggestions of possible connection. in this instance: i asked my six friends to tell me what restaurant/food service place was their favorite and/or most frequented in santa clarita (where calarts is located). i used those locations as the six places for the act of transcribing (environmental dialogue) and writing (their to-be-embedded poems); a kind of peering into the everyday, yet marginal areas of our spaces, which may or may not intersect with one another. appearing between and bleeding into the readings are short noise tracks, cut up from a set performed by some friends (isaac, ben, me). it is a focused dive into our (mental) social spaces and, in a way, an odd trace of my time there, in LA, and of these people." - Reading Group.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.