"The Elbow Is Taboo was Renaldo & The Loaf's fourth and last album of their initial phase prior to their return in 2010. Released by Ralph Records in America and Some Bizzare in the UK in 1987, this work represents a development in the overall sound as they utilize an 8-track recorder along with early digital effects. A large arsenal of acoustic instrumentation gives the record an additional unsettling atmosphere. Recorded over a three-year period this remains the definitive statement by the group in this early period. As clarified by Brian from the band, the themes remain as obtuse and alluring as ever with each song containing its own story: "be it a child's desire to control ('A Street Called Straight'), the ridiculous purdah of an innocent part of the body ('The Elbow Is Taboo'), a call for help in times of angst ('Here's To the Oblong Boys'), the rigours of a bread fetish ('The Bread Song'), the anger of a dance teacher to the terminally inept ('Critical/Dance') or a ritual call to prayer, somewhere ('Extracting The Re-Re')". Disorientating and delightful, this is a must for all fans of the Loaf and for those tickled by the more deranged spectrum of song. Remastered for vinyl and cut by Rashad Becker at Dubplates & Mastering, Berlin, Nov 2018. Original album recorded Chez Struvé 1984 to 1986. Cover design & layout by Nik Void. Original cover concept by Renaldo & The Loaf." - Editions Mego .
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
