"Still Strange reaches back into the prized loft tapes of Jeff Sharp, aka Orior, following the revelatory discovery of his overlooked early '80s gems on 2016's Strange Beauty collection, as coaxed out by DDS dons Miles Whittaker and Sean Canty. Huddling another sublime, dusty set of analogue tapes freshly baked and remarkably well-restored by Andy Popplewell, Still Strange contains four gorgeous flashbacks to the era 1979-1983 surrounding and even pre-dating Strange Beauty, and then shifts focus to recordings that Orior made around the early '90s. As with its predecessor, Orior is not alone on the material in Still Strange. From those feted early tapes, you'll find Phil Hollis returning to lend jagged guitar on the drum machine sizzle of "Feels Like Summer", while the mysterious synth player New Cross John makes vital contribution to "Invium". Along with the aching synth sigh of "To Return", which pre-dated all of these recordings, and the nine minutes of haunting bedsit strums in "Larbico Alt Mix" which came from the first batch, the early material is all arguably worth the price of admission alone for seekers of lost synth treasures -- really this stuff is just so good. However, the album's other six tracks expand knowledge of Orior's work into the '90s and also contain some extraordinary material. Salvaged from further loft tapes found in various states of degradation, and subsequently mixed down between London's Goldsmiths College and Miles Whittaker's Whalley Range attic (and elsewhere), they are decidedly more blunt and gloaming, especially in the Deathprod-like "Under Shadow" and the near static witching hour ambience of "Endless", while shorter vignettes such as "Unknown Future", "Gothic", and "Another" point to pre-echoes of Board of Canada's crepuscular scapes and even Bladerunner-esque sci-fi noir soundscapes. RIYL: Deathprod, John Bender, Boards of Canada, Vangelis. Restored from original 1/4" analog tapes; Mixed by Miles Whittaker and Ian Gilbert; Mastered at Dubplates & Mastering." - Demdike Stare .
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.