"A cult band and pioneers of industrial music, Esplendor Geométrico were one of the first cases of true independence in the history of Spanish music. Not only financial and organizational, but also creative independence. This first single, "Necrosis En La Poya" (1981), was self-produced and distributed by the band themselves, before the appearance of the Spanish independent record labels in the early '80s. After receiving the needed funds from an enigmatic fan who decided to help out the release, a tiny run of 500 copies was pressed and quickly flew off the shelves. The iconic yet disturbing cover artwork surely shocked the regular clients at the few Madrid shops that were willing to stock the release but thankfully also managed to catch the attention of the emerging European scene of DIY experimental sounds and most of the copies found their way into the network of independent distributors. Without a doubt this is one of the fundamental works by Esplendor Geométrico, where they started to develop their unique style of industrial music which would be such a great influence on other artists afterwards. Necrosis En La Poya is regarded by their fans as one of the best records ever made by the band and shows EG's shift towards harsher industrial rhythms. After years unavailable, and previously officially reissued as part of the Esplendor Geométrico's box only, here it is the legit reissue of one the most sought-after Spanish records, remastered from the original tapes." - Geometrik .
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.