"The second album of mysterious Japanese singer Nadja haunts immediately and marks one of the most exquisite reissues in the ever-growing catalog of Studio Mule. Originally released in 1989 as promo-only CD on the Japanese label Polystar, the album features some of the finest '80s pop funk fusion arrangements of the era. A deeply enchanting lost gem, that gets listeners instantly into heavy repeat addiction. All ten songs are arranged by a group of grandmasters of their art. Japanese saxophonist, composer, and music producer Yasuaki Shimizu, man behind the electronic ambient fusion classic Kakashi, was in charge for tunes like "Wac-Wack", a neon light funk pop song, full of soft big city eroticism, ultra-slick synth lines and real funkateer explosions. It's followed by "夢のとりこ", the most stirring pop tune on the album, that originally was written by French composer Areski Belkacem, known for his and long-time collaborations with French avant-garde singer Brigitte Fontaine. Shimizu transformed the song into a low-hanging funk jewel, with a cool rolling bassline, dub depth, and synths that cry for cosmic help. Above all Nadja signs with a sexy chill, that somehow could only emerge in the '80s, when the cold war even made pop music real cool. The follow up is named "真珠のように", features again music by Belkacem, this time transformed by Shimizu into electronic erotic pop -- dreamy, witchy and precisely musical composed. The B-side opens with "Velvet Rain", a funky urban boogie composition by Japanese keyboard player, composer, and producer Akira Inoue, enlarged with glimmer camp kitsch, that immediately puts a smile on the listeners faces. It gets followed by "Paradise Catcher", a soft pop tune with longing string and horn sections, arranged by legendary Jamaican rhythm and production duo Sly & Robbie. It somehow marks one of the strangest songs in their longstanding career, as it is largely minimal orchestral but yet super tight when it comes down to the rhythmic magnitudes. The next tune, "Private Tripper", also stays soulful, funky and horn driven. Always pleasing the super tight, yet feathery voice of Nadja, that is dancing about boogie grooves and illuminating melodies with a seducing tragical coolness. Finally, the album ends with a stylistic break in the overall musical atmosphere. It comes from Japanese musician Hiroaki Goto, it's called "地図をずっと南へ"and features Afro-Brazilian voodoo rhythms, pan flutes, cosmic piano notes." - Studio Mule .
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.