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Upset The Rhythm

KAPUTT - Carnage Hall

"Kaputt are a recently hatched post punk act from Glasgow, Scotland. Numbering six, Kaputt feature Simone Wilson and Cal Donnelly on guitars and vocals, Chrissy Barnacle also sings and plays saxophone. Tobias Carmichael is responsible for bass, whilst Rikki Will and Emma Smith cover drums and percussion respectively. Racing away from the playful torn edge of no-wave song, Kaputt blurt out tracks with twitchy charisma, their catchy riffs circle with relish, allowing timely sax stonks and stop-start rhythms to drive things on. Vocals leap, guitars bluster and always the saxophone snakes, hypnotically drawn through the erratic beat. The songs on Carnage Hall, Kaputt's debut album released by Upset The Rhythm, were all written in Glasgow between 2016-2018. Following on from the independence referendum and the subsequent Brexit vote these songs couldn't help but be influenced by the maelstrom of political hypocrisy and confusion in the air. Other themes prevalent on this energetic corkscrew of an album include the offbeat happenchance of life in 2019, notions of surveillance, identity (personal as well as the biscuit-tin styled persona of the Scottish Highlands), industrialization, and family. Title track "Carnage Hall" is about an alternative dimension in which Judy Garland's famous Carnegie Hall show, (one of the group's favorite albums), was a total bust rather than the roaring success it proved to be. "Rats" is a crumpled twist of song -- explosive, ruminative, and content to bemuse with a loose political allegory drawn out from a dank pet shop. "Accordion" lilts with more breezy tendency. Kaputt excel at fidgety, speedy outpourings of ideas, their songs zap by, multifaceted and bejeweled with detail and color. "Parsonage Square" is a great example of this, it's a song about public access, panopticons, and paranoia hurtled into a motley rip of melody. Meanwhile, "Suspectette" concerns itself with Mary Weiss of The Shangri-Las' FBI file. "Think About Your Face" investigates those certain grimaces made in passionate embrace. "Highlight" is an grade-A anthem doubling up as an eulogy for shipbuilding, "Drinking Problems Continue" parts 1 and 2 are about Ullapool and generational holidays spent watching "sun set on the ferry". Carnage Hall is an empathic album dealing with memory and place, but most importantly with people. Recorded and mixed by Luigi Pasquini in Anchor Lane Studios in Glasgow in spring 2019, before being mastered this summer by John Hannon at No Studios. 180 gram vinyl; edition of 400." - Upset The Rhythm .
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.



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