PAGE AND HIS PARADISE MUSIC, PAUL - Pacific Paradise
"Paul Page -- poet, pagan, and playboy of Polynesian pop and Hapa Haole exotica. The music on this unusual exotic album, takes you right to the ocean's edge, mingles you with jungle drums and animals, the booming surf, seagulls, and ocean liners in a coral kaleidoscope of sounds. This is the real deal authentic tiki bar soundtrack. Paul Page and his Paradise Music entertained in Polynesian themed restaurants all over Southern California from the late '30s to the mid-60s, then all the way out to the Kona Coast during the late '60s and early '70s. The whole time, he kept leaving behind these little independent albums, recorded specifically for the purpose of selling them to the people coming to his small venue shows... which, when you think about it, is basically what all the most-worthy bands to dig do these days, outside the doting eye of the lame record industry. Dude was so ahead of his time! Paul Page was a singer, piano player, bandleader, writer/composer, radio, and TV host, artist of oils, professional basketball player, and much more. He published many albums during the 1950s-60s and wrote hundreds of songs. His story has never previously been told and his original recordings are very rare, in fact some of them are completely unknown and undocumented, and much sought after by collectors. Paul Page is really the only one to mix actual, authentic Hawaiian music and other Polynesian and Pacific Ocean influences, with the nomadic feel of the seafaring Anglo working sailor man with a sense of American pop sophistication, based in jazz-age. It is his cheerful insistence to employ every known cliché from the Polynesian pop dictionary that makes his stylings so charming to today's tiki lounger. Subliminal Sounds now brings you the full Paul Page saga on this comprehensive compilation. Includes a 32-page booklet with in-depth liner notes by author and pop historian Domenic Priore, with a foreword by author and urban archeologist Sven Kirsten." - Subliminal Sounds.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.