Much needed reissue of the extremely limited 2017 debut LP by Virginia guitarist, Jordan Perry. We were turned on to it when Chris Guttmacher at Blue Bag Records in Cambridge told Kassie Richardson of Good Cry (who did the initial 100 pressing) to send us a copy. He thought we might be into it, and halfway into one spin we knew he was right. There have been several fat boatloads of acoustic guitar players floating across our turntable the past few years. And to be honest, weve dug the majority of them. Seems like there must be a lot of good stuff in the water, or something. Despite this, a preponderance of the players weve enjoyed have definitely been in the American Primitive mode. Lots of swift modal aktion with a folk/blues base, invaded by various foreign agents. Jordan Perrys approach to his guitar is quite different. Although there are some basic völk sonorities in his playing, Mr. Perrys brunt combines these with more avant garde note selections and compositional gambits, as well as a string attack with classical qualities. While theres a gentleness to the melodies at which he eventually arrives, Perrys journey crosses prickly patches of tone clusters, and has a circular logic that defies pop logic. A few passages recall moments on All Is Ablaze, our recent album with experimental player Julia Reidy (FTR 338LP), while some of the open strumming has a beautifully languid quality verging on mid period William Ackerman. All of which makes this a record very deserving of much personal headspace. Give Jordan Perry some room and youll be very glad you did. We promise.Edition of 300. - Byron Coley.