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Room40

PIETRUSKO, ROBERT GERARD - Elegiya

"On Elegyia, Robert Gerard Pietrusko reflects on notions of accumulation and decay, calling specifically on his memories of the demise of the Soviet Union. The sudden collapse of the USSR shocked the world and in that moment came an intense and wholesale reveal, that spoke to the impermanence of all political and social structures, no matter how fixed they might appear. Using this as a compositional metaphor, Pietrusko creates an edition of muted sonics, rich saturation and submerged low energies. Mirroring the uncertainties, aspirations and desires of that time, Elegyia reveals a unique acoustic reading of disintegration and the promise of renewal. A beautifully drifting memory-scape richly colored in dense clouds of harmony. From Robert Gerard Pietrusko: "While working on this album, I've often thought about the meaning of the word, elegy. As a poem or a piece of music, it is written for the passing of a person or a way of life. The creation and performance of an elegy, however, is not an experience of this original sorrow but is instead its repetition -- following a similar pattern, though never the same. Similarly, Elegiya is based on five piano motifs that are repeated with constant variation and extrapolation across the album's nine tracks. In structure, harmony, and timbre each piece attempts to capture the contradictory condition of a macro-level stasis versus a tumultuous interior, rigorous movement but no progression, and a threat of its own undoing. Robert Gerard Pietrusko is a designer and composer based in Cambridge, Massachusetts. His work is part of the permanent collection of the Fondation Cartier pour l'art contemporain in Paris and has been exhibited in more than 15 countries at venues such as the Museum of Modern Art, Akademie der Künste, Palais de Tokyo, and the Venice Architecture Biennale. Recently, Pietrusko was awarded the 2021 Rome Prize for landscape architecture. He is currently an associate professor at Harvard University, and a visiting faculty member at the Strelka Institute for Media, Architecture, and Design in Moscow. His last album, Six Microphones, was released on LINE/Counter Audition in 2019." - Room40.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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