The result of a long period of study and retirement in a house in the Bologna countryside in the first three months of 2018, Kenosis renews the meeting between Stefano Pilia and Massimo Pupillo (already together on several tours of ZU and in the Zu93 project, together with David Tibet). A Greek word of Gnostic derivation (literally meaning emptying"), Kenosis is the result of a process of composition that saw the two musicians move away from their usual writing methods and from the conventional use of their instruments, to push themselves towards a sound, only apparently electronic, at the limit between the organic and inorganic world. Everything you hear in Kenosis was played, simply using a bass and an electric guitar processed analogically, often improvising in very long sessions, the starting point for the actual composition. The drawings of the Red Book of Jung, open every day on a different page and left in front of the mixer, have marked the writing of the album which shows, among other things, the shared passion for the harmonic method of Arvo Part and the research underground of certain Italian artists, in particular Roberto Musci. In the DNA of these pieces, inspiring elements such as the Diamond Sutra, the meditation lessons of Joseph Goldstein, the bell towers, the sounds of birds in the fields surrounded the studio. "This is music that is simply passed through us." - Grandaangolo.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.