CHADBOURNE, EUGENE - Mourning of the Praying Mantis / Worms With Strings
""This is the first in a series of Feeding Tube vinyl releases devoted to the Insect and Western catalog of recordings, newly mastered and often with added material. 'Mourning of the Praying Mantis' was created in the earliest series of Insect and Western scores, first performed by the Bull Fiddle contrabass quartet of Oakland in 1996. Following what I felt was a classic interpretation by the Insect and Western Party trios and quartets, the piece circulated through the evenings devoted to my Insect and Western music at concerts taking place around the United States. By 1997 I had an interesting and diverse set of recordings in a variety of media and assembled a long version of the piece blending many of the soloists featured in the different performances. This was the centerpiece of the first commercially released collections of my Insect and Western pieces, a CD entitled Insect Attracter on the British Leo label. 'Mourning of the Praying Mantis' was one of the scores I brought to a duet session with master percussionist Warren Smith in 2012. In creating a new special archive of Insect and Western for the Feeding Tube label, my priority regarding 'Mourning of the Praying Mantis' was to bring in the Warren Smith recording, to my great personal enjoyment which I now hope to share with the listener. Now also including the 2012 New York City sessions with Warren Smith, the 20 plus minutes of is fabricated from, in roughly the order the location appears, all from 1997: 1. Studio session, Wyandotte, Michigan/Frank Pahl, engineer; 2. Concert at Barking Legs Theatre, Chattanooga, Tennessee, Dec. 5-6; 3. Concert at Venue 9, San Francisco, California, Oct. 16; 4. Concert at Knitting Factory, New York City, NY, July 29; 5. Concert at Lunar Cabaret, Chicago, Illinois, Sept. 10-11; 6. Concert at art gallery, Louisville, Kentucky, Sept. 14; 7. Concert at Alligator Lounge, Los Angeles, California, October."
Musicians in order or appearance: Eugene Chadbourne - five-string banjo, Deering electric "Crossfire" banjo; Carrie Shull - oboe; Brian Ritchie - bass guitar, shakuhachil; Warren Smith - bass marimba, vibraphone, percussion; Mischa Feigin - balilika; Carrie Biolo - vibraphone; Steve Good - bass clarinet; Joee Conroy - violin; Dan Plonsey - soprano saxophone; Gino Robair - mandolin; Ashley Adams - contrabass; Brent Dunn - contrabass; Tom Heasley - tuba; Bruce Wagner - mandolin; Bob Stagner - drums; Charles Waters - soprano saxophone; Barry Mitterhof - mandolin; Ted Reichman - accordion; Bunk Gardner - flute." - Feeding Tube Records.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.