"Vincenzo Ramaglia is a Roman composer active in contemporary music experimentation and in what he calls PEM ("popular experimental music"). After the academic training -- at the end of which he won the TIM (Tournoi International de Musique) with an orchestral work -- his music research insinuates itself into the alchemy between score and improvisation, between electronics, acoustic instruments (often investigated in their extended techniques) and voice. Atomic City is the fourth album by Vincenzo Ramaglia, landing of a long research path that begins more than ten years earlier and it is marked by the three recording projects before this unexpected electronic turn. In 2007, Michele Coralli of Blow Up defined his first CD, Formaldeide as a "place of impossible meeting betweenColeman HawkinsandSalvatore Sciarrino." Regarding the second CD, Chimera (2008), Max Marchini of Rockerilla called the album "an admirable interface at the zenith of the starry sky of intelligent and improvised jazz and new contemporary music." PVC Smoking (2011), his third CD, is an IDM score with improvisations, combining electronics and acoustic instruments. After seven years of reflection, silence, construction, and deepening of an electronic setup without a computer, Atomic City is a surprise, an album finally naked, devoid of any score, but with an intricate maze of analog sequences, composed on the machines as on a pentagram, almost in a thoughtful orchestral counterpoint, and manipulated in real time by the author, to which Renato Ciunfrini reacts to with clarinet improvisations. In a sense, Atomic City is the promised land of all the peregrinations and breaks that precede it. The synthesis - unexpectedly coherent and explosive in his unprecedented language - of a vast collection of seemingly contradictory urgencies. And it is, in fact, popular experimental music." - Dark Companion.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.