"Slim, 44-page perfect bound, paperback containing four stories. Illustrated by Mary Thomas. These four stories were written while Allen was working and touring with the Cleveland band, Pere Ubu, and refer directly to those years. Previously published in The Cleveland Edition, The Re Records Quarterly and The Penguin Book of Rock and Roll Writing. Allen Ravenstine was born in Canton, Ohio in 1950. In 1968 his parents were killed in a car crash. He was a student at Ohio State University when students protesting the Vietnam War were shot at Kent State. All universities in Ohio closed, so he left Columbus, where he was studying English literature, never to return. In the following years he worked with an EML analog synthesizer and a Teac four-track tape recorder and in 1974 bought the Plaza, a ramshackle apartment building in Cleveland's inner city, which soon became the home of painters, poets, writers and musicians. In 1975, he co-founded the legendary Cleveland band, Pere Ubu in which he worked until 1988... leaving to become an airline pilot. Taking up music again in 2012, he appeared with Robert Wheeler in the film 'I Dream of Wires', recorded two album length records, 'Farm Report' and 'City Desk'. In 2014, he released his first solo CD, 'The Pharaoh's Bee'. The critically acclaimed 'Waiting for the Bomb' followed in 2018. Allen lives in New York City with his wife Ann." - ReR Megacorp.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.