Last Visible Dog

RENDERERS, THE - Monsters and Miasmas

Brian Crook (from The Terminals, Max Block, solo releases) and wife Maryrose make up the long-running Renderers whos releases on Ajax/3 beads of sweat and Siltbreeze records have continued to tread a line between haunting contry-esque ballads and the brand of noise-rock for which the Terminals is known. From a review of their previous album (Ghosts of Our Vegas Lives): A charred near mythical psychedelic wasteland sparsely populated by tortured souls and twisted creatures. Brian Crook (her husband) is the perfect foil for such surrealism-meets-rustic imagery, whether lathering melting feedback on top of ghostly ballads or kicking up a slash and burn racket, captured with garage rock immediacy. ....a world where Hank Williams and Townes Van Zandt are revered as preciously as Sonic Youth, the Dead C and Can, to name but a few. A different kind of transcendance indeed. -- Lee Jackson,Womblife. Monsters and Miasmas continues upward from the foundation that the Renderers have built over the previous two decades while losing no ground from their previous accomplishments. I doubt any of us no exactly what genre this is, but theres no one out there doing what the Renderers do better. - Last Visible Dog\r\n

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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