When writer William S. Burroughs and artist Brion Gysin met Anthony Balch at the Beat Hotel in Paris at the start of the 60s they knew they had the ideal person to assist them in translating the ideas they had explored in experimental art forms to film. Balch began his movie-making career collaborating with Burroughs on two shorts Towers Open Fire and The Cut Ups. The former is a relatively straightforward attempt to capture the essence of Burroughs writing on film, utilizing key themes and situations featured in his books. The latter is an attempt to cinematically represent the art form. To achieve this, each scene was filmed and edited in its entirety before the cut up method was applied -- physically cutting the movie into foot long lengths and splicing them together randomly. Following the death of Anthony Balch in 1980, the films remained untouched and virtually forgotten at his home until the intervention of Psychic TVs Genesis P.Orridge, who salvaged and archived them. This unique collection comprises all the films made during that lengthy period of collaboration between Burroughs, Gysin and Balch. In addition to the finished works, the video includes a 50-minute film called Ghosts at No. 9 which uses cut-ups of film and superimpositions, material from the extensive archive of Psychic TV and to which Orridge added the distinctive soundtrack -- making Thee Films a unique and desirable addition to the collection of all Burroughs fans. NTSC format, region free. Running time: 120 minutes; 5.1 Audio/5.1 Surround Sound.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.