“On their vinyl debut, Yorkshires Gad Whip slap four intriguing pieces on one side, while an etching by vocalist Pete Davies occupies the flip. Gad Whip seem borne from another world -- one in which bands on the defunct Ron Johnson label played on Top Of The Pops while lost art-punkers like The Mud Hutters and Arkansaw Man scored college radio hits. Gad Whip approach sound from a dub base, utilizing space and texture to let their music breathe. Despite Gad Whips paranoid worldview, they are not averse to letting some air percolate between their insistent rhythms. Leading the charge is Pete Davies caustic appraisal of our current emotional and moral bankruptcy. Hes s a bit like Sleaford Mods Jason Williamson minus the spittle. The jaunty groove of "In A Room" belies Davies cutting observations and barely withheld bile. Instead of slathering gratuitous guitar noise over top the muscular bass and drums, Gad Whip let Davies take centerstage. "Fun Fair Fish" further spotlights Davies knack for presenting a compelling narrative while the band backs him up with equally enthralling music. "Grey Scale Quiche" doubles down on the previously-only-hinted-at psychedelic influence as the entire mix seems to be in a giant blender while Davies acts as an anchor. Today seems fucked, but tomorrow never knows, eh? "Train Song #2" foregrounds the pummel of fellow Whip founder Lee Drinkall and cements Gad Whip as one of the more intriguing bands working their shadowy corner of the post-punk world.” - Ever/Never.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.