"S.S. Records is really happy to release vinyl debut of Low Red Center. While their sound centers around electronics, to call them a minimal synth band or electronica or post-punk is selling them short. Low Red Center not only have a great sound, but they have great songs, and a couple of ace singers. Originally a studio project, in 2004 Low Red Center morphed into an improvised group. Containing members of Voxtrot, Oblong Boys, Pataphysics, Spoon, NonoBangBang, and other Austin bands, LRC staged shows that involved heavy costuming, theater, dance, and, of course, music. Eventually, many of these improvised pieces were molded into songs. In the words of Chad A., The object of Low Red Center is an exercise in improvisation and communication. Surprising ourselves as musicians by experimenting and discovering on stage, in front of an audience is of our goals. Restraint and listening are our approach to playing. A dedication to succinct presentation prevents unwanted jamming and convinces the audience that what we are performing are practiced, pre-written songs. The sound we have in mind is minimal and somewhat alien, with a vague film noir feel. This tension is frequently broken with a faster, more jagged post-punk approach. The recordings present a studio translation of our live principals, but with the luxuries of production embellishment and craft. Everything was performed (no sequencing) on analog electronic synthesizers, acoustic instruments, and electric guitar and bass. All the drum machines were actual individual organisms, breathing with us in the studio--nothing was sampled and rearranged. No computers were used. Influenced by Cluster, John Foxx, Tuxedomoon, Bruce Haack, Crash Course in Science, Silver Apples, Raymond Scott, and Goblin, you can also hear Relando & the Loaf, Devo, the Plastics and others in their sound." - S-S.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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