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Sublime Frequencies

MAYET, HISHAM - The Divine River: Ceremonial Pageantry in the Sahel

Sublime Frequencies announces a new film by Hisham Mayet: The Divine River: Ceremonial Pageantry in the Sahel. Condensed from 40 hours of footage shot between 2007 and 2012, The Divine River is an exhilarating, hallucinatory, harrowing record of music, ritual, life, and landscape along the Niger River -- which the Tuareg call Egerew n-Igerewen," or "River of Rivers" -- as it winds through Mali and the Republic of Niger. Traversing 300 miles of this transitional zone between the Sahara and the Savanna, The Divine River is not a linear record of a journey so much as a phantasmagoria of visual associations that create their own emotional topography and chronology (always accompanied by music) that blurs the lines between sacred and secular, past and present. Highlights include intimate views of ecstatic dance in the painted houses of the island-dwelling Wogo; the seductive courtship rites and trance vocals of young Wodaabe men; a mesmeric Tuareg and Zarma duet for guitar and molo; Hausa griots enchanting with comsaa strings; Zarma spirit possession ceremonies; and heart-stopping footage of the Dogon mask ritual atop the Bandiagara Escarpment in the village of Endele. True to Sublime Frequencies "aesthetic of extra-geography and soulful experience," The Divine River refuses hasty contextualizations and rote interpretations that, far from "explaining" cultural displays, deaden viewers to the presence of mystery. Avoiding the temptation to reduce ritual to a simple matter of ends and means, its silence respects the chasm that separates concepts like "possession" from their lived reality. Rejecting the distractions of an imaginary understanding in favor of simple attention and humility, it traces the portal to deeper knowledge counseled in a centuries-old Sufi prayer: "O Lord, increase my bewilderment." 47 minutes/color; digipack; all-region DVD, NTSC format. Limited one-time edition of 1,000 copies." -Sublime Frequencies.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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