Dead Cert collect three unique and chilling electro-acoustic compositions by the pioneering head of Belgiums Institute of Psychoacoustic and Electronic Music, dating between 1958-1971. Born in 1904, in Roeselare, Belgium,Louis De Meester was a self-taught musician who, after travelling widely as a professional player, professed himself an autodidactic composer by 1945 and proceeded to become Music Modulator" at The BRT (Belgian Radio and TV broadcasting company) and later head producer and artistic director at IPEM in Ghent between 1962-1969. His work, covering chamber music, lieder, cantatas, and concertantes has been subject of renewed focus recently, thanks to reissues such as Metaphons 50-year anniversary compilation of IPEM recordings, and now thanks to the efforts of Andy Votel and Demdike Stares Dead-Cert imprint, were presented with three of his finest pieces plucked from the archive of Alpha Brussels and carefully transferred from tape with little to no further processing byAndy Popplewell. They include "Incantations" (1958) and the string-heavy "Spielerei" (1970), plus a very necessary reissue of the outstanding "Mimodrama" (1971), which was also reissued by Keith Fullerton Whitmans Creel Pone in 2008 and was last available on vinyl in 1974. "Mimodrama" is the records biggest attraction; a 26-minute composition for magnetophone, patching elements of previous works into a sort of biographical account, travelling from oneiric electronics to more defined concr_ɬ®te shapes and textures to almost arcane Mittel European folk melodies and rhythms. Remastered by Gareth Mallinson and Matt Colton. Limited edition pressing of 500 copies." - Dead-Cert.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.