Private press library recordings of the early 70s. Together with Florian Fricke and Peter Michael Hamel, Deuter is certainly mainly responsible for the fruitful encounters between European sensibility and Eastern aesthetics in the German music of the 1970s. Soundtrack was originally produced by Kuckuck in 1973 not for an official and public release, but as a library" recording to be used for films, TV, and radio. As a library recording. it respects the canonical and typological structure of the genre with 26 short sonic fragments, sequences imagined and conceived like fulminating illuminations. Theres still a solid electronic vocation that, however, has put aside the most disruptive effluvia of D (1971) of pure "kraut" ancestry. In fact, the album is more like an ideal passing bridge between some ritual instances of the previous Aum (1972) and the following successful phase of Deuter during the period when he stays in the Bhagwan Shree Rajneeshs ashram in Poona realizing, in parallel to a renewed inner life, masterpieces like Celebration (1976), Haleakala (1978), Ecstasy (1979), and Silence Is The Answer (1981). Musically speaking, Soundtrack presents itself as a heterogeneous work with nocturnal, cinematic, galactic and atmospheric-environmental implications. Electronics remains the predominant factor but can vary from mantra drones of more ceremonial and meditative "space-relax" tones of some tracks ("Triad", "Deep Sea", "Gothic Velvet", or "Evening") to the most amused formulations of pulsating analog synths that in the hands of Deuter become "toy-equipment" to modulate and explore ("Desert Rock", "Synth Effect", "Flea Dance", or "Laser"). There is no lack of acoustic moments more ethnically inspired with Arabian and Indian ("Reed", "Arabia") or devotionally solar themes ("Tom Bombaddils Dance"), evoking an air of diffuse peace then completely conquered in the beloved India." - Black Sweat.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.