"The provenance of bonus tracks can often be tangential or suspicious; in this case, its more like a homecoming. When Bryn Jones turned in the master for what would become 1994s Drugsherpa mini-CD, Staalplaat selected the 20-minute title-track, truly one of Muslimgauzes most distinct and awe-inspiring tracks, to fill the release. The sinuous, doom-haunted Drugsherpa" still sounds fresh today, but in 1994 it was so far ahead of its time, that the rest of us wouldnt catch up until a decade or more later; only now does it really sound like it has contemporaries. But it wasnt alone on that tape; and with the mini-CD long since sold out, this reissue releases its siblings into the world for the first time. Unlike "Drugsherpa" itself, now restored to its original place as track three on the reissue, the other six tracks on this now 56-minute album are all remixes of other Muslimgauze material. As usual for Jones, those remixes take the songs in all sorts of directions, subtle or otherwise; shorter, longer, backwards, dubbed-out, less dubbed-out, and so on. The result shows anew the infinite variety, multiplicity, and complexity of Jones work, and functions as a kind of ad hoc compilation of material from several recent-at-the-time Muslimgauze releases as well (plus a remounting of "Gulfwar" from 1987s Abu Nidal). But the darkly brooding "Drugsherpa" itself remains, justly, the center of attention here. Less directly political than much of Jones work, it builds up to an immense, slow groove until finally shaking itself to pieces in your ears by the end. Muslimgauze is always evocative. With Drugsherpa, Jones practically gives the listeners visions. He always intended these tracks to go together (as shown by the seamless segue into "Jerusalem Knife (Wail Mix)," but in a way Drugsherpa is sui generis, even for Muslimgauze." - Staalplaat
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.