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Gargoyle

LEWIN, PHILIP JOHN - In Twilights Quiet Hour

“Some of my favorite musicians such as Brian Gauci, lead guitar on both Diamond Love and Real Classic and Uli Bohnet, who played bass on Real Classic return.... 33 years after we last recorded together! In all, ten musicians contribute to this album, which took almost two years to complete! A 21st century album recorded on modern equipment and with multiple musicians is a departure from anything I ever recorded. The material chosen spans from the late 60s, such as Cathys Song, to topical and lyrics reflecting my more recent life. At the concert someone asked me if it was a lot like my earlier work. When I hesitated, he realized it wasnt. But, "Diamond Love" didnt resemble "Am I Really Here All Alone" either. What would be the purpose of doing that? Should an artist repaint the same picture, even if it was a success, or love elsewhere creatively?” - Phillip John Lewin.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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