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Moniker

ONO - Albino

_¢‚Ǩ_ìTo non-locals, ONOs stunning Albino might have fallen from the sky, but to an enlightened and ever-growing bunch of Chicago heads the band is already full-on legend, and the release of their first recorded music since 1986 is a majorly epic landmark that needs no introduction. For the rest of yall: ONO is a unit of transcendent noise-making now in its fourth decade. Both notorious and neglected in their early years, ONOs unholy bitches brew of noisy snarl, avant-garde R&B, gospel-heavy blackness, queer sensibility and extravagant, performance-art theatrics (they once played a concert at Navy Pier in which singer travis was dragged through the audience in a steel cage, naked but for a jockstrap) was in a whole nuther galaxy from the macho Chicago punk scene that spawned them.\r\nReemerging in the late 00s with astonishing vehemence and an expansive, multi-generational lineup, theyve been embraced by a more fertile and experimental Chicago scene, and are about to explode skulls internationally. travis has always referred to fellow-founder P. Michael ONO as the leader of the band, but anchor might be more appropriate_¢‚Ǩ‚ÄùP. Michaels groundswelling bass and nasty, insectoid beats are unquestionably the glue that binds the sprawling noise. But then theres travis, whose fierce brilliance carries echoes of punk prophets like Patti Smith, Iggy Pop and Gil Scott-Heron but is always pure, raging ONO. As for the rest of the band, check the sick, Beefheartian groove of Veil, or their revelatory cover of the Velvet Undergrounds All Tomorrows Parties, which manages to excise much of the songs innate sentimentality while upping its sonic generosity, the wall-of-sound sprouting weeds and flowers in its cracks. ONOs original mission statement (1980) runs through this music more truly and deeply than ever, so to quote it in full and let it speak for itself: ONO1980// Experimental Performance, NOISE, and Industrial Poetry Performance Band; Exploring Gospels Darkest Conflicts, Tragedies and Premises. Some deep-listening shit--beyond recommended!_¢‚Ǩ¬ù - Moniker.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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