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Sheffield and Rippie have been performing and recording together for years, though variations is the first document of their ongoing collaboration. pressed on 180-gram vinyl with lovely full-color jackets, in an edition of 400 copies\". - Elevator Bath.\u003c\/p\u003e","brand":"Elevator Bath","offers":[{"title":"LP","offer_id":51851548935,"sku":"185-ELEVATOR BATH","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-440669-1290858463_jpeg.jpg?v=1571717173"},{"product_id":"slight-surface-noise-s-t","title":"SLIGHT SURFACE NOISE - s\/t","description":"\u003cp\u003eOriginal copies of 1997 release with hand silkscreened sleeves. The band is David Wilcox, Mike Switzer (of Avijit) and Vaughn Boone (of Dry Nod). 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Original LP from 1986 in an edition of 500.\u003c\/p\u003e","brand":"Shih Shih Wu Ai","offers":[{"title":"LP","offer_id":51854290503,"sku":"422-SHIH SHIH WU AI","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-3569084-1337646726-4020_jpeg.jpg?v=1571717197"},{"product_id":"fine-milo-free-jazz-ensemble-april-october-1991","title":"FINE, MILO FREE JAZZ ENSEMBLE - April\/October 1991","description":"\u003cp\u003eMilo Fine: m-drums  II (electronics), drums, piano, clarinet, bass clarinet; Steve Gnitka: guitar. Recorded at the West Bank School of Music, Minneapolis, MN. 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A co-release with GD Stereo.\\r\\nWhen I first heard Tamio Shiraishi, I wanted to blow my eyes out. The opening burst of sheer overpowering SOUND of his sax on the Our Lips Are Sealed\" CD on Pure was all I needed to hear to know that I had to (a) get my hands on all his music, and (b) get a saxophone myself and have at it. Years later, here I am still trying, and there Shiraishi is cracking concrete and splitting bridges in half in New York City with his trusty horn. A follow up to the Fusetron one-sided 12\", this 180 gram vinyl is a full length capturing two Summer concerts that Shiraishi and percussionist\/artist\/thinker\/time traveler Sean Meehan put on every year in the Big Apple. I wasnt there, but Geoff Dugan was and recorded them for the rest of us poor saps. A third player should be given credit here, too, as the landscapes the duo chose for venues are just as much a part of the recording as the instruments played. The Manhattan Bridge and the municipal garage on 79th Street cradled, amplify, defy and deflect Shiraishi and Meehan. The passing traffic and trains make it a quartet. As for Meehan, I have no idea what hes doing. But its a damn fine thing whatever it is. Eat it up.\" - Marshall Avett, Old Gold. 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Cover is black on black screenprint variant. These are mysterious recordings that seem to be emersed in an innerspace composed entirely of serious reverb Jello, all instrumental-style with loads of tabla and slide guitar and international\/continental\/other worldly instruments \u0026amp; sounds. The artist is Dr. Eweerd Yijji (aka Ed Yazijian) who should be known for his work with serious folks like Dredd Foole and Pete Prescott (Mission of Burma, Volcano Suns) and many others (not to mention occasional live performances with the mighty Sun City Girls). this is his first solo release. Handmade silkscreened covers. with a limited quantity available. \"Violinist and steel guitarist Ed Yazijian aka Dr Eweerd Yijji has played the Lee Underwood to Dredd Fooles Tim Buckley for past few decades with barely a thought to the contours of his own musical soul. For anyone expecting simply a series of solo violin and guitar readings, Six Ways To Avoid The Evil Eye will come as a real curveball, as the central orbit around which most of these tracks swing is mostly based in rhythmic\/percussive ritual in a way that more immediately brings to mind the rain of stones that defines much of the Angus MacLise back catalog. Theres a heavy, devotional air to much of the activity that speaks of personal trance as eloquently as the works of Alice Coltrane, albeit transposed to a much more punk primitive palette of hand-drums, bows and traditional acoustic drones.\" - David Keenan, The Wire.\u003c\/p\u003e","brand":"One Tree","offers":[{"title":"LP","offer_id":51873628871,"sku":"5597-ONE TREE","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/My0yNjg2LmpwZWc.jpg?v=1671382919"},{"product_id":"flak-mask-these-landscape-enhancements","title":"FLAK MASK - These Landscape Enhancements","description":"\u003cp\u003e\"Very most recent attempt to clarify what is right in front of us thru a medium signal known as the wax blob, luckily there are some unseen scientists at the helm, there being many hurdles. - Trd w\/d. \"..knob n petal extrapolations akin to those found throughout the cream of the Finnish underground crossed w\/the narcoleptic, atmospheric langour-froth emitted by someve Brooklyns bossest suitcase rockers.\" - Siltblog (Re; previous 7\" release). Excellent multi-colored silkscreened jackets. Recorded in New Orleans, Spring 2007.\u003c\/p\u003e","brand":"Trd w\/d","offers":[{"title":"LP","offer_id":51877520391,"sku":"6546-TRD W\/D","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/Ny5qcGVn_3d457463-03f7-438e-981f-6f88c5d4de52.jpg?v=1671384785"},{"product_id":"sickdoll-s-t","title":"SICKDOLL - S\/T","description":"\u003cp\u003eUnplayed copies of 2007 release on \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003esublabel of Kernkrach\u003c\/span\u003e. \"debut LP by this new and upcoming German minimal artist. The sound is raw and melancholy. Limited to 300 copies in hand sewn plastic mesh sleeve.\"\u003c\/p\u003e","brand":"Kernkrach","offers":[{"title":"LP","offer_id":51877626631,"sku":"6586-KERNKRACH","price":38.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/NC5qcGVn.jpg?v=1649791148"},{"product_id":"flatgrey-xxxxxx","title":"FLATGREY - xxxxxx","description":"\"Long-awaited vinyl debut from Vancouver underground noise legend flatgrey. Industrial noise. harsh, industrial noise. pure sound. Mechanical, electrical, valve and tube. scrounged, rescued and resurrected. filtered through obsession. Menacing roars of bass pushed along grinding mechanics, like millions of rows of pneumatic teeth. Heaving, gnashing. compressor hiss, and blast furnace tongue. Incendiary atmosphere, superheated, and forced through junked magnets and shredded cones. A nameless exercise. 1-sided gold offset-printing on heavy black paper. One-sided 12\" 33rpm vinyl record with silk-screened b-side. Housed in a crystal-clear, heavy polyvinyl sleeve. Featuring art and layout from the artist.\" - Rundownsun.","brand":"Rundownsun","offers":[{"title":"One-Sided LP","offer_id":51898280327,"sku":"7401-RUNDOWNSUN","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-888719-1171281622_jpeg.jpg?v=1571717664"},{"product_id":"fasenuova-angeldust-split","title":"FASENUOVA\/ANGELDUST - Split","description":"\u003cp\u003eSplit between Fasenuova (Spain) and Angeldust (USA). Fasenuova is conceived by Ernesto Avelino and Roberto Lobo in year 2006 under the names Hegemon_ɬ_a or Goodbye. Active almost secretly since early 90s, making use of synthesizers and modulators. Dynamic rough waves go along drum-machine generated beats. The lyrics, all of them in spanish bring you to the most bizarre and surrealistic corners of your brain, thru the melodic cricked vocals of frontman Ernesto Avelino. Angeldust is formed by three characters in the greyest warehouse in the american East Coast: Robert Francisco, Nate Davis and Jacob Anodide. Defenitely a noise industrial band has only released cassettes and CDRs up until the dates. Has toured Europe, Spain and the US extensively. They spit out intense feedback, fuzzadelic howls, drum-machine malfunction and string instruments build from different kinds of junk, always accompanied of the gnarliest lyrics. Aggressive and extremely wild.\\r\\nRecord cover consists in a disco bag, one ink silk-screened cover with drawing by Robert Francisco. Limited to 250 copies in black, hand numbered and 250 copies in white, also hand-numbered. Art by: Robert Francisco\u003c\/p\u003e","brand":"Ozonokids","offers":[{"title":"LP","offer_id":51899398151,"sku":"7854-OZONOKIDS","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1898730-1250993145_jpeg.jpg?v=1571717712"},{"product_id":"skin-graft-black-out","title":"SKIN GRAFT - Blackout","description":"\u003cp\u003e\"The first skin graft vinyl. 8 tracks of abrasive, negatively charged scum electronics. perfectly disgusting and abusive. three color screened artwork (lots of black ink)\". - Tusco Embassy. 2009. Edition of 100.\u003c\/p\u003e","brand":"Tusco Embassy","offers":[{"title":"LP","offer_id":51917342407,"sku":"8391-TUSCO EMBASSY","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/OS04NjcxLmpwZWc.jpg?v=1671381216"},{"product_id":"songs-for-moms-i-used-to-believe-in-the-west","title":"SONGS FOR MOMS - I Used To Believe In The West","description":"\u003cp\u003e\"SONGS FOR MOMS second full-length LP. This all-girl San Francisco\/Bay Area trio creates an incredibly tuneful sound that feels like a combination of Loretta Lynn and Patti Smith. Over laying rock, punk and country; they cross back and forth between bouncy bittersweet melodies and raw aggression, yet always staying poetic and beautiful. For fans of Grass Widow, Brilliant Colors, Hey Girl, and This Bike is a Pipebomb. Pressed in an edition of 500 copies with hand-screened covers\". - Thrillhouse.\u003c\/p\u003e","brand":"Thrillhouse","offers":[{"title":"LP","offer_id":51919811847,"sku":"8872-THRILLHOUSE","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-2698539-1424559544-4848_jpeg.jpg?v=1571717775"},{"product_id":"flower-of-flesh-and-blood-s-t","title":"FLOWER OF FLESH AND BLOOD - S\/T","description":"\u003cp\u003eThis is the first release of music project by New York writer\/musician SEAN KENNERLY. Eight songs of slow rock that has pop energy somewhere in it, it also sounds like the music itself has taken some type of pills, some sedatives, some mellowing downer of some kind. Musicians: Sean Kennerly singing, guitar; JEFF KISH guitar; HISHAM BHAROOCHA (BLACK DICE) drums; CHRIS JOHANSON bass. Recorded, mixed, and produced by CHRIS MOORE at Stay Gold and Headgear. Features art by Chris Johanson and JOHANNA JACKSON, silkscreened by NEIL BURKE at Monoroid. Includes a bonus CD. -Awesome Vistas\u003c\/p\u003e","brand":"Awesome Vistas","offers":[{"title":"LP + CD","offer_id":51921997383,"sku":"9301-AWESOME VISTAS","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/NC02Mjk1LmpwZWc.jpg?v=1671396184"},{"product_id":"v-a-reportage-spela-sjlv","title":"V\/A - Reportage: Spela Själv","description":"\u003cp\u003e\"Exact reproduction LP of a Swedish release from 1970. A bit of confusion surrounds this release: The album has been credited to Trad, Gras och Stenar, but they arent featured on it. Bo Anders Persson did, in fact, in collaboration with Solvieg Bark, compile, edit and release this album. Bo Anders Persson, was a member of the legendary Swedish bands Harvester, International Harvester, Parson Sound, and Trad, Gras Och Stenar. Solveig Bark was one of a few young composers that, through the UNM (Young Nordic Music Festivals), would become a contemporary of Erkki Kurenniemi, Folke Rabe, etc. Reportage: Spela Sjalv roughly translates to Play Yourself. It contains field recordings of amateurs playing\/making sounds. Raga Concr_ɬ®te, if you will. A fine, rare, and lovely piece to behold. Highly recommended!\"\u003c\/p\u003e","brand":"Unknown","offers":[{"title":"LP","offer_id":51922941127,"sku":"9584-UNKNOWN","price":33.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/Ny5qcGVn_762ac931-956e-4651-b94f-95381b419bef.jpg?v=1671381548"},{"product_id":"v-a-willkommen-im-weltraum-nostalgia-for-an-age-yet-to-come","title":"V\/A - Willkommen Im Weltraum - Nostalgia For An Age Yet To Come","description":"\u003cp\u003eRestocked.\"Willkommen Im Weltraum - Nostalgia For An Age Yet To Come is a view back to the days when the future sounded best. Spaced out organs, obscure library grooves, astrosonic sounds and early electronica. Ancient science fiction, the Signs of the Zodiac, psyched-out drum-machines and the first singing computer. With music from Attilio Mineo, Mort Garson, Dorothy B.Carr, the Electrosoniks, Cecil Leuter, the Mindexpanders, Gerhard Narholz Electronic Studio Orchestra, Ma Jinao and many others. Vinyl only, in a beautiful silkscreened cover, limited edition of 1000. Artists: Michael Weisser \/ Otto Luening \/ Vladimir Ussachevsky, Mindexpanders, The Zodiac, Roger Roger, The Electrosoniks, Gary Schneider, Ma Jinao, Heinz Heindel, Dorothy B. Carr, Ataraxia, Karl Reger + Odo Warth, Cecil Leuter, Phillippe Besombes, P.Willsher + K. Chesher, Gerhard Narholz Electronic Studio Orchestra and Mort Garson. Comes with postcard.\" - Weltraum. \u003c\/p\u003e","brand":"Weltraum","offers":[{"title":"LP","offer_id":51923230663,"sku":"9675-WELTRAUM","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-2141552-1269492969_jpeg.jpg?v=1571717831"},{"product_id":"shields-christine-in-the-sun","title":"SHIELDS, CHRISTINE - In The Sun","description":"\u003cp\u003e\"PHIL FRANKLIN (SUNBURNED HAND OF THE MAN) nailed it when he referred to In The Sun, CHRISTINE SHIELDS first solo LP, as ten songs of dark and light.\" The album is very much about opposites, the sun and_Ç moon, descent into darkness and return to light. Instrumentation includes guitar, banjo, baritone uke, and voice, with percussion by WILLIAM WINANT, guitar JOE GOLDRING (ENABLERS, TOUCHED BY A JANITOR, SWANS), soundscapes by SHEILA BOSCO (FAUN FABLES, AUTOBODY), and drums and production by TIM MOONEY (AMERICAN MUSIC CLUB). Shields musical pedigree includes ARCHIPELAGO BREWING COMPANY, GROUSE MOUNTAIN SKYRIDE, SHADY CREEK GRILS, and STEEPLE CHASE, but one could hardly be blamed if none of the above ring a bell. ABC released a CD on Brinkiman in the 90s, and Grouse Mountain Skyride contributed a track to a Kill Rock Stars Comp, but Shields is perhaps best known for her portraits of musicians, short-lived comic book Blue Hole and dark and humorous, Addams-meets-Gorey illustration work for countless small-press publications and zines. Her music, like her images, is dreamy, dark, melodic, harmonious, and high-lonesome. (That old-time influence has its hooks in her good.) If you want to make her day, compare her to Opal. You wouldnt be far off the mark.\" - Awesome Vistas.\u003c\/p\u003e","brand":"Awesome Vistas","offers":[{"title":"LP","offer_id":51928740231,"sku":"10677-AWESOME VISTAS","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-4806001-1438289870-4978_jpeg.jpg?v=1571717908"},{"product_id":"slugfuckers-three-feet-behind-glass-instant-classic","title":"SLUGFUCKERS - Three Feet Behind Glass\/Instant Classic","description":"TIME TO GET TO KNOW THE SLUGFUCKERS_¢‚Ǩ¬¶.. The Slugfuckers were started in the late 1970s in Sydney, Australia by Terry Blake (vocals),  John Laidler (guitar) and Graham Forsyth (bass) who were all at the time students or recent graduates of the Department of General Philosophy at Sydney University. Craig Wilcox (keyboard), Gordon Renouf (guitar, sax), Austin Laverty (drumkit) joined soon after.\\r\\nThey released two extremely rare singles in 1979 which are combined on this 12 and an album in 1981. Bridging the nascence of punk, DIY, and industrial, The Slugfuckers took the true intent of punk and carried it to a logical extreme. With shouted vocals, almost rudimentary playing, volume on ten and many obligatory messy interludes they enthralled, engaged and repelled in equal parts_¢‚Ǩ¬¶A raw, underproduced angry attack that bores right into your brain. \\r\\n\"It will catch the ears of those who can embrace abstract punk sounds or industrial harshness. To be filed alongside The Homosexuals, The Desperate Bicycles, The Instant Automatons, The Prats, Door and the Window, The Versatile Newts, etc etc. Avant \/ Post -punk madness that leaves you scratching your skull . Noise historians will wonder over the use of Manson references, Burroughs samples and Anti-art manifestos way before the Industrial boys tried to claim them as their own.\" - Harbingersound. \\r\\n\"...noisier and more abrasive than most first generation industrial stuff, a hell of a lot more punk than, say, The Lewd and intelligent in a scary, vicious bullying kind of way\" - Johan Kugelberg, Ugly Things Magazine.\\r\\nLimited to 500 copies, its on 180 gram vinyl in tip-on jackets with the artwork from the EP and poly lined inner sleeve plus liner notes.\" - Insolito. \u003ciframe width=\"600\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/LRkMSeJa72o\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Insolito","offers":[{"title":"LP","offer_id":51930017607,"sku":"10944-INSOLITO","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-2689667-1296756557_jpeg.jpg?v=1571717929"},{"product_id":"yonkers-with-the-blind-shake-michael-period","title":"YONKERS WITH THE BLIND SHAKE, MICHAEL - Period","description":"\u003cp\u003e\"Carbohydrates Hydrocarbons is not only a great collection of punk-induced psychedelia, as heavy as anything can be without sludging to death; it was also the best thing Yonkers had done since Microminiature Love, and a high point of the Blind Shake. A few years later Yonkers and the Shake got together for a brief split\/collaborative album on Learning Curve Records. Good stuff but not quite as powerful as the two aforementioned monsters. Now comes Period, Michael Yonkers and the Blind Shakes first full album together since Carbohydrates Hydrocarbons and their best yet. Like Yonkers and the Shakes previous work, Period is tuneful and heavy and punk and psychedelic, but there is also something more. The album has an energy which is dark but not sinister. Yonkers lyrics are intense, even painful, but his voice is strong. The swirl of sound created by his homemade guitar is other worldly, and when woven into the guitar\/baritone guitar\/drum throb and punch created by the Blind Shake, Period is nothing less than great. Seriously, after six straight months of listening to Period, I rank it up there with such classics of heavy weirdness as Von Lmos Future Language, High Rise II, and Monoshocks Walk to the Fire. Period is even worthy of a listen next to Blue Cheers Vincebus Eruptum. Period by Michael Yonkers with the Blind Shake will stand as a classic. I am sure of that. Vinyl copies of Period are housed in a Stoughton old style tip-on sleeve.\" -  S-S.\u003c\/p\u003e","brand":"S-S","offers":[{"title":"LP","offer_id":51938771591,"sku":"12209-S-S","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/MS5qcGVn.jpg?v=1671393489"},{"product_id":"free-agents-333","title":"FREE AGENTS - 3.33","description":"\u003cp\u003eDrag City presents reissues of the avant-garde DIY label Groovy founded by PETE SHELLEY (BUZZCOCKS) and FRANCIS COOKSON. FREE AGENTS was the first of the lot, with an album named after its price, 3.33. Cookson took live performance tapes from a TILLER BOYS show (a conceptual band featuring himself, ERIC RANDOM, and, when available, Shelley) and added some additional recordings using tape loops, feedback and anything else he could get on there. It ranged around from post -Revolution 9\" collage to wack beats that one might associate with the emergent krautrock to stark industrial moments, flowing into each other with an organic, freely improvised quality. Packaged in 12\" sleeves with photocopies of Cookson scribbles pasted on the front and back, Free Agents was DIY all the way.\" -Drag City.\u003c\/p\u003e","brand":"Drag City","offers":[{"title":"LP","offer_id":51938860807,"sku":"12236-DRAG CITY","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-690673-1415787932-8576_jpeg.jpg?v=1571718003"},{"product_id":"steel-an-skin-s-t","title":"STEEL AN SKIN - S\/T","description":"\u003cp\u003eOriginal 2012 EM version with textured brown\/white cover. First time-ever vinyl LP release of this steel pan + disco + dub material from the 1970s. This LP version consists of Steel An Skins 1979 debut 12 single Reggae Is Here Once Again, featuring \"Afro Punk Reggae (Dub),\" a fine disco-dub workout (now a worldwide dancefloor favorite), plus tracks from their 1984 album Acid Rain. Three of those tunes, 1980s modern-soul\/boogie-influenced \"Lady (Vocal),\" \"Lady (Instrumental)\" and also a typical Steel An Skin performance \"Burning World\" appear only on this LP version (not on previous CD version). Steel An Skin was a unit composed of young nightclub musicians born in Ghana, Nigeria, St. Kitts, Trinidad and the UK, who once performed with Ginger Johnsons Afrikan Drummers -- a highlife band under the tutelage of the late Ginger Johnson -- and played at Johnsons Iroko Country Club in Hampstead, London. Steel An Skin began giving concerts and workshops in London schools, expanding nationwide to prisons, psychiatric hospitals and summer festivals, including the world-famous Notting Hill Carnival. The group combined an admirably brave, open and unironic mix of musical forms with a non-cynical approach to community outreach. Ultra-positive consciousness from Afro-Caribbean London, circa 1979. Features ex-members of the legendary 20th Century Steel Band (one of Grand Master Flashs favorites) sailing Trinidad-wise over gratifyingly intricate African ritual rhythms. Strong vocals compliment reggae, funk, disco and soul influences to form a relentless groove machine. Includes an insert in English and Japanese.\" -EM.\u003c\/p\u003e","brand":"EM","offers":[{"title":"LP","offer_id":51939043463,"sku":"12289-EM","price":50.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/OC5qcGVn.jpg?v=1671390846"},{"product_id":"corsano-flower-hejnowski-the-count-visits","title":"CORSANO\/FLOWER\/HEJNOWSKI - The Count Visits","description":"\u003cp\u003eRecorded at Brooklyn's Issue Project Room, this live burble features Flower on Japan Banjo, Corsano on tubs and Heyner (or Bobby McGee or Count fucking Chocula or whatever he's calling himself here) doubling on bass (three tracks) and tubs (one track). Corsanos in his ferocious carpet bomb mode, laying down a thick lumpy rug of imaginary bubble wrap for the others to prance upon, and prance they do. Flowers doing a kind of China Pig upward spiraling wail on his axe, and Heyner (I mean Popeye or is it Count Floyd?) is bowing the shit out of his bass like some kinda arco dervish from the center of the earth. But its not all outward splange, here. No sir. There are other passages in the improv set that would make Matt Valentine put down his mug of butter beer, looks you right in the eye and say, Dude, that is smokin. What Matt would probably mean is that it sounds at times like these guys have been smoking cheeb and playing the kind of beautiful notes that reportedly fill the heads of those who indulge. And frankly, Im not sure if these three are users or not, but if they are, youll want some of what theyre using. Cause it sounds fucking tasty. Is it possible Corsano has been wearing a baldie-cap all these years and that hes actually a secret hippie? Not sure, but Flower has never been shy about his locks, nor has Heyner (or Emett Otter or whoever). So maybe Corsano's been packing inner hair all this time. Well, bully for him, I say. If this is what hippies sounds like, I declare peace with their whole tribe. - Byron Coley.\u003c\/p\u003e","brand":"Hot Cars Warp\/Flowerhouse","offers":[{"title":"LP","offer_id":51939448199,"sku":"12439-HOT CARS WARP\/FLOWERHOUSE","price":14.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-3264745-1323640848_jpeg.jpg?v=1571718009"},{"product_id":"v-a-sticks-over-my-shoulder","title":"V\/A - Sticks Over My Shoulder","description":"\u003cp\u003eA compilation of Georgia bluesmen who play all in a style of their own. Truly great recordings made by George Mitchell between 1979-1981. Features the hypnotic sounds of John Lee Ziegler, the incredibly rockin drumand guitar music of James Davis, the hair-stands-up-on-the-back-of-your-neck voice and guitar of William Robertson (also known as Cecil Barfield!), the unique doaist playing of Jimmy Lee Williams and the ragged and beautiful music of Jim Bunkley. Really just the best blues music you could ever hope to hear. Another testament to the brilliant ear of George Mitchell, who traveled the south in search of the real stuff and found it. Old school tip on cover. -Mississippi.\u003c\/p\u003e","brand":"Mississippi","offers":[{"title":"LP","offer_id":51940346567,"sku":"12807-MISSISSIPPI","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/Ni0yMzExLmpwZWc.jpg?v=1671393807"},{"product_id":"v-a-music-from-saharan-cellphones-vol-2","title":"V\/A - Music from Saharan Cellphones Vol. 2","description":"\u003cp\u003eContemporary pop music from the Sahara desert, where songs are stored on cellphones. Collected in Northern Mali in 2010 (since taken over by extremists whove banned music on cellphones) the second volume expands into new sonic territory - from dreamy Niger guitar ballads, Bamako club juke, and hi energy Moroccan child Ra_ɬØ - with a focus on the Autotuned DIY creations circulating the desert. Includes insert with liner notes. -Sahelsounds.\u003c\/p\u003e","brand":"Sahelsounds","offers":[{"title":"LP","offer_id":51942982919,"sku":"13792-SAHELSOUNDS","price":52.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/NC00ODkwLmpwZWc.jpg?v=1671391431"},{"product_id":"49-americans-e-pluribus-unum","title":"49 AMERICANS - E Pluribus Unum","description":"\u003cp\u003eHere's what we wrote in 2002 about the 49 AMERICANS reissues on the Japanese label, Saidera. \"Wonder\", issued by Saidera, was the 1st LP, \"E Pluribus Unum\", plus a handful of bonus tracks:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"Lovingly assembled and beautifully produced career-spanning recordings by this late 70s\/early 80s UK DIY super group. The main instigator behind the Americans was Andrew Giblet Brenner who assembled a loose, disparate group of musical\/non-musical practitioners as \"an experiment in equality and democracy\". This \"democracy\" included Nag, Bendle and Else Watt of Door And The Window, David Toop, Steve Beresford and Max Eastley (coming out of the anything goes improv scene), Viv Albertine of the Slits, Vivien Goldman (who was simultaneously recording the classic dub\/funk\/punk Dirty Washing 12\" on 99 Records which featured Beresford as well as Keith Levine, George Oban, Robert Wyatt, Adrian Sherwood and others) , Igor (Nag \u0026amp; Bendles roommate), parents of the members and many more.. The sound over the course of their career started off as rugged Door And The Window-ish songs\/pieces on the first single but by the 1st LP and 12\" evolved into an off-kilter songwriting style similar to that of Maher Shalal Hash Baz, Red Krayola, early Beat Happening, Good Missionaries and lesser knowns like Department Store Santas, Mark Tucker, Philip Johnson, etc.. By \"We Know Nonsense\" many songs have an almost lounge jazz style. This probably doesnt sound too appealing but the record does have its moments, including one of my fave 49 American songs (though some of the tracks are definitely not my bag) ....\"\u003cbr\u003e\u003cbr\u003e\"What might seem to others to be harsh reviews were to us wonderful complimentary fodder; swamped in kettle and saucepan percussion, a hearty shabbiness, amateurism viewed as a material virtue rather than a spiritual one, and the best quote of all, makes Swell Maps sound like Led Zeppelin.\" - Nag (Wonder liner notes).\u003cbr\u003e\u003cbr\u003e\\r\\n \"The 49 Americans were an experiment in the pursuit of happiness... Have fun! Play! Participate! Everyone should be allowed to be an American.\" - Andrew Brenner (aka Giblet).\u003c\/p\u003e","brand":"Staubgold","offers":[{"title":"LP","offer_id":51943436359,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/STAUB124LP_PROD.jpg?v=1644689378"},{"product_id":"floor-above-bishop","title":"FLOOR ABOVE - Bishop","description":"\u003cp\u003eBleak and blown out loner hardcore. - Savage Quality. \"Raw and hollow hardcore played with absolute fury and determination - clean guitars that are tortured more than played, and vocals that are more in line with the by product of a backwoods exorcism.\" -Robert Collins (Terminal Escape).\u003c\/p\u003e","brand":"Savage Quality","offers":[{"title":"LP","offer_id":51947528455,"sku":"15178-SAVAGE QUALITY","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-5015529-1382195038-2171_jpeg.jpg?v=1571718142"},{"product_id":"first-david-electronic-works-19761977","title":"FIRST, DAVID - Electronic Works 1976-1977","description":"\"When people associate composer David First with his musical resume, anyone goes straight to his late 70s avant punk band, The Notekillers and their influential 1980 single The Zipper. Prior to his time in the basements of Philadelphia, he had already played in Cecil Taylor_¢‚Ǩ‚Ѣs ensemble and after the Notekillers broke up he moved to New York City in the early 80s, taking root in the downtown NYC avant garde scene. It was there that First honed his craft for experimental composition and ambient drone which still continues to the present day.\\r\\n\u003cbr\u003e\\r\\nThough this narrative made sense, there was a piece missing in the puzzle of First_¢‚Ǩ‚Ѣs musical background. In 1976, two years after playing with Taylor and the year before starting the Notekillers, he enrolled in a class in electronic music at Princeton in the department headed at the time by legendary electronic composer Milton Babbitt.\\r\\n\u003cbr\u003e\\r\\nDuring his time at Princeton, First was introduced to the classical electronic music studio there, a lonely outpost of the famed Columbia-Princeton Electronic Music Center which housed one of the very first Buchla 100 series systems acquired by Vladimir Ussachevsky \u0026amp; Otto Luening.\\r\\n\u003cbr\u003e\\r\\nUnfortunately, due to the introduction of digital technology within the music world, this system was left to languish in the studio unattended and nearly forgotten. First fell in love with this equipment and seized the opportunity to compose using the Buchla 100 synthesizer, at first experimenting only with electronic synthesis but later adding in his signature guitar stylings to make these compositions unique to the academic output typical of university music.\\r\\n\u003cbr\u003e\\r\\nThankfully, these compositions were recorded by First at Princeton on various reel to reel tapes and stored away for over 35 years. It wasn_¢‚Ǩ‚Ѣt until the summer of 2012, when David First and Ryan Martin (of Dais Records) decided to revisit and transfer these reels to compile an album presented here as a selection of genuine, uninhibited exploration into modular electronic synthesis. Limited to an edition of 500 copies with liner notes by David First\". - Dais.","brand":"Dais","offers":[{"title":"LP","offer_id":51947981767,"sku":"15247-DAIS","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-5335770-1390845435-4875_jpeg.jpg?v=1571718143"},{"product_id":"fleshtone-aura-on-rusticated-slant","title":"FLESHTONE AURA - On Rusticated Slant","description":"\u003cp\u003eHand-etched center labels. Offset printed sleeve with cover art by Nikki Woolsey.  Mastered by Brandon Hocura at Polyphasic Studios. Edition of 300.\\r\\nTad Michalak (Burn Down The Capital), from Offerings: Andrew Zukerman of Gastric Female Reflex fames curates an intricate \u0026amp; finely tuned landscape of auditory fart jokes and avant-gardism on his first LP as Fleshtone Aura. We are bombarded by the warm energy of a high speed cut \u0026amp; paste dance mix, as if the frantic brain of a 5 year old had been asked to make an aural layout of his attention span, or some sort of table of contents for this LP. This chaos quickly ends with the feeling that all these sounds have been simultaneously thrown off the CN Tower \u0026amp; are falling aimlessly through space, silent before their imminent demise. In their absence, the remaining sounds rumble \u0026amp; clatter in a magnitude of space, its almost relaxing. A free jazz duet for motorcycle \u0026amp; percussion, gears twisting, ominous maneuvers in the dark. Sound crystalizes refracting in a house of mirrors. Piercing sine waves slice through mundanity, as this chameleon writhes at twitches. Bumping dance beats emerge out of human pauses, and carefully placed electro acoustic junk percussion. A piano note stretches into a harsh rumbling landscape of wind noise, fire crackles, scrapping metal and hushed squeals. The definitive sounds of a world post 2012 disaster. _¢‚Ǩ¬®The 2nd side opens as a 1950s joke factory soundtrack. Classic rock riffs tango with child-ish bleeps \u0026amp; bloops in a bird like call \u0026amp; response. Similar to string of great jokes or slapstick film scenes Andrews collages gestate forward with an oddly nostalgic undertone. Abrasive screeches and sweeps lead to luscious and decadent tidbits of familiarity, unsettling, as they are comforting in their commodified environment. Something like a recapping of a horse race meets postnasal drip. The bubbling voice of Jabba the Hutt dictates some unknown message from beneath the murk. Heart warming abstractions of a human reality.\" - Pleasence.\u003c\/p\u003e","brand":"Pleasence","offers":[{"title":"LP","offer_id":51949357703,"sku":"15495-PLEASENCE","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-3984336-1351396568-8604_png.jpg?v=1571718166"},{"product_id":"flynn-devin-light-show-music-for-joshua-white-gary-panter","title":"FLYNN, DEVIN - Light Show Music for Joshua White \u0026 Gary Panter","description":"\u003cimg src=\"\/\/38.media.tumblr.com\/cfa71cc957878208ddd5dbf2d6f26200\/tumblr_n7hdqefwx41ruo2v5o1_1280.png\" width=\"600\" height=\"_¢‚Ǩ_ì312_¢‚Ǩ¬ù\"\u003e\\r\\n\"A psychedelic melange of acid guitar jams and cartoon music for the Joshua White\/ Gary Panter exhibition at the Museum of Contemporary Art Detroit.\" - Arbitrary Signs. Packaged in 2 color screened sleeves with art by Gary Panter and a 4 page foldout insert  with art and an interview with Joshua White and Gary Panter. \u003ciframe width=\"600\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/KPO2W8_QIec\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Arbitrary Signs","offers":[{"title":"LP","offer_id":51950314887,"sku":"15725-ARBITRARY SIGNS","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-6926728-1429667060-1083_jpeg.jpg?v=1571718172"},{"product_id":"fleshtone-aura-soliloquy-for-lieven","title":"FLESHTONE AURA - Soliloquy For Lieven","description":"\"Produced in association with Psychic Encumbrance. Hand painted labels\/silk screened foil stamped covers. Green (not orange) sleeve variant. Numbered edition of 100. \"Soliloquy For Lieven is a drastic turn for Toronto sound artist Fleshtone Aura. Instead of his signature sample heavy, tape loop collage psychedelia, Soliloquy For Lieven finds him swimming in an ambient ocean of minimalist synth and field recordings. These sounds, often associated with New Age music, are, when realized by Mr. Zukerman, altogether more ominous in tone; exploring a darker side of personal spirituality. \\r\\nSays the artist: \"I recorded a bunch of it during a residency on Toronto Island. . . it was made as a sort of sonic impersonation of Dolphins Into The Future, that woefully missed the mark.\" - Pleasence.","brand":"Pleasence","offers":[{"title":"LP","offer_id":52000947335,"sku":"16126-PLEASENCE","price":34.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-6243756-1414603613-2752_jpeg.jpg?v=1571718196"},{"product_id":"fahey-john-the-dance-of-death-and-other-plantation-favorites","title":"FAHEY, JOHN - The Dance of Death and Other Plantation Favorites","description":"\u003cp\u003eUnplayed sealed copies of out of print 2015 version. 180-gram vinyl. \"Originally released in 1964, Dance of Death offers a glimpse of an artist in transformation. More than half the albums titles draw from the traditional blues and country repertoire Fahey had spent his teen years and young adulthood collecting, listening to, and learning to play, yet the recordings proved once and for all that his interests lay in musical transfigurations rather than preservation -- Fahey was not afraid to use these old tunes as raw material.\" - 4 Men With Beards.\u003c\/p\u003e","brand":"4 Men With Beards","offers":[{"title":"LP","offer_id":52004320711,"sku":"17269-4 MEN WITH BEARDS","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/OS04NDA5LmpwZWc.jpg?v=1671388332"},{"product_id":"wood-woodlands-robert-live-at-lons-le-saulnier-1974","title":"WOOD \u0026 WOODLANDS, ROBERT - Live at Lons Le Saulnier, 1974","description":"2015 release. \"Monster Melodies present Live at Lons Le Saulnier, 1974 from Robert Wood \u0026amp; Woodlands. An exceptional recording, dating from September 1974, featuring a band that has never released an album up to now. Robert Wood, an English vibraphonist, guitarist and singer, is a veteran of the jazz scene, free jazz, jazz and experimental rock having played with Alan Silva, Don Cherry, Gong, Marc Bolan, Sam Gopal, Kent Carter, Bernard Vitet, Lard Free, Christian Vander, Fred Frith and Yannick Top. He spent the majority of his career in France. Woodlands was formed in 1973 with Olivier Didier (Herbe Rouge) on drums and Simon Wheatley on electric bass. Patrick Fontaine (Ame Son and Bananamoon Band) replaced Simon Wheatley a few months later and it is this second line-up that is featured on this album. In 1974, Robert Wood \u0026amp; Woodlands played more than forty concerts in France. The groups music is bursting with energy. Robert Wood plays his Deagan Electravibe and Premier Vibraphone in a manner which is both extremely personal and relentlessly perfectionist, producing a unique sound enveloped by the bass and the drums. Using a technique which includes as Robert himself explains: \"My own choice of mallets, sticks, different types of pieces of wood, finger cymbals, the palms of my hands, the soft tips of my fingers and the harder attack of my finger nails. Each of these different types of attack engendered their own characteristic sound parameters which could naturally be played in a myriad of intermingling sound colors. I have always strived to open the range and flexibility of expression of the vibraphone as an instrument complete in itself and not simply an extension of the percussion family. I added a Cry Baby wah-wah from the 60s and a legendary amp, the Mike Matthews \"Freedom Amp\". The mutational frequencies of the wah to go even further into my improvisational madness as certain people called it. On my Premier Vibraphone, I struck the key(s) at basically five different positions on each key, with a further four intermediate positions on each key which I would also strike for modelling the inherent harmonics. Applied to the Deagan Electravibe this technique literally exploded the conceived limitations of the vibraphone, and also created new soundscapes for my vocals, shooting us off into a cosmic voyage of time, sound and rhythm.\" - Extracts from an interview by Ron Kane.\\r\\n\u003cimg src=\"https:\/\/img.discogs.com\/Qf1YxoDmkzx0xueQovjoRQRgbHs=\/fit-in\/600x509\/filters:strip_icc():format(jpeg):mode_rgb():quality(90)\/discogs-images\/R-7670281-1446379790-3347.jpeg.jpg\" width=\"600\" height=\"509\"\u003e\\r\\n\u003ciframe width=\"600\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ehfB8RLZM1g\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Monster Melodies","offers":[{"title":"LP","offer_id":52009735303,"sku":"18487-MONSTER MELODIES","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-7670281-1446379790-3347_jpeg.jpg?v=1571718312"},{"product_id":"ferrari-luc-tinguely-1967","title":"FERRARI, LUC - Tinguely 1967","description":"\u003cp\u003eUnreleased material by Luc Ferrari, released here on Sub Rosas Early Electronic series. Two tracks from the forthcoming three-CD box set devoted to Luc Ferraris film music. Not only does the collection reveal a little-known chunk of Ferraris oeuvre as a composer for the screen, it also sheds light on the ties between cinema and musique concr_ɬ®te, especially during the fruitful period that stretched from the 1960s to the 1980s. Tinguely (1967) is a musique concr_ɬ®te piece for a television program by C. Caspari. From recordings made by the composer in 1966 at an exhibition of Jean Tinguelys work. Once the 110V Liliput engine is turned on, the sculptures start moving instantly in unpredictable ways, as if they had suddenly become frantic. They move in disorganized and excited ways; each action brings them on the verge of self-destruction. Tinguelys Balubas\" illustrate how ephemeral and intangible art and life are. The \"Balubas\" carry joy and despair, fascination and disillusionment. Dernier Matin dEdgar-Allan Poe (1964) is a musique concrete piece for a short 33mm black-and-white film by Jean Barral.\" - Sub Rosa.\u003c\/p\u003e","brand":"Sub Rosa","offers":[{"title":"LP","offer_id":52010163591,"sku":"19527-SUB ROSA","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-10015193-1490176277-8412_jpeg.jpg?v=1571718338"},{"product_id":"cheek-chris-pc-fencott-lawrence-upton-jgjgjgjgjgjgjgjg","title":"JGJGJGJG - A Farewell Performance","description":"\u003cp\u003eEdition of 200 copies. Another volume of scarce sound poetry material originally issued on the British Balsam Flex label (1977-80). \"...The energy which can be created and released by two or three poets working on common ground rather than with their personal material can be as great a force as that often experienced through jazz improvisation... We feel that it is not only we who will benefit for whilst this is an important experiment, it is not one for its own sake having the immediate appeal, energy and potency of street theatre, rock bands, jazz buzz, ritual chants. Urgent perhaps.. Each performance develops from and heads towards the next.\" - artists liner notes, London 1976.\u003c\/p\u003e","brand":"Slowscan","offers":[{"title":"LP","offer_id":52010163783,"sku":"19528-SLOWSCAN","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-9912293-1488537579-5841_jpeg.jpg?v=1604421525"},{"product_id":"fedrigotti-danilo-lorenzini-michele-i-fiori-del-sole","title":"FEDRIGOTTI\/DANILO LORENZINI, MICHELE - I Fiori Del Sole","description":"\u003cp\u003e\"Song Cycle Records present a reissue of Michele Fedrigotti and Danilo Lorenzinis I Fiori Del Sole, originally released on Cramps Records in 1979. I Fiori Del Sole is a composition for organ and piano by the Italian duo of Michele Fedrigotti and Danilo Lorenzini. The encounter between minimalist aesthetic and evocative religious atmospheres make this album one of the most interesting and obscure treasures of Italian minimalism. The album was produced by the legendary Franco Battiato with whom the duo Fedrigotti-Lorenzini collaborated the same year for LEra Del Cinghiale Bianco. Comes on 180 gram vinyl.\" - Song Cycle.\u003c\/p\u003e","brand":"Song Cycle","offers":[{"title":"LP","offer_id":52013079495,"sku":"19816-SONG CYCLE","price":16.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/CY990LP_CU.jpg?v=1621441564"},{"product_id":"finch-peter-dances-interdites","title":"FINCH, PETER - Dances Interdites","description":"\u003cp\u003eDances Interdites reissues a number of Peter Finch sound text and processed voice works from the late 1970s and 1980s. The Dances Interdites set of ambient cassette recordings were originally issued by Balsam Flex in 1982 as a follow up to 1980s Big Band Dance Music. They use the limitions of the domestic technology available at the time as a compositional discipline. The Italian Job pieces, made with Bob Cobbing and John Whiting in 1985, move on to use full professional studio techniques of voice manipulation. Blodeuwedd recorded while standing on the roadside near Cardiffs last remaining arc furnace on Seawall Road, takes the process further. - Slowscan.\\r\\nFeaturing Peter Finch: voice, percussion, jews harp. Bob Cobbing: voice, percussion and John Whiting: electronics.  Edition of 200.\u003c\/p\u003e","brand":"Slowscan","offers":[{"title":"LP","offer_id":52013203015,"sku":"19903-SLOWSCAN","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-10324893-1495352378-6672_jpeg.jpg?v=1571718367"},{"product_id":"fontana-giovanni-epigenetic-poetry","title":"FONTANA, GIOVANNI  - Epigenetic Poetry","description":"\"An anthology documenting the sound works by the Italian sound poet Giovanni Fontana (b. 1946). These pieces, dating from 1968 to 2014, are scarcely available; culled from cassette magazines and art-book compendiums, along with two unreleased recordings.Fontana has been a pioneer of Italian visual poetry, sound poetry, and experimental theater since the mid-1960s. Together with peer Adriano Spatola, Giovanni worked on the publication Tam Tam (founded in 1972). He also rode in the same wagon as Arrigo Lora-Totino, splicing, pasting, and folding the compass of Italy's intermedia. In one light, Fontana's voice erects a brutal and guttural effigy of man, primitive and hermetic. Yet, stepping to the side, one can see the thin strands of support bolstering such combustibles. As chested-strings of a piano, Fontana strikes firmly across the resonating spread of discovery and acceptance. In addition to voice; jaw-harp, guitar, whistle, piano, and harpsichord are featured in these recordings, though the musical elements are secondary to the voice. Mouth, throat, and even nose ['Poema a naso' features a microphone inserted in the nostril] take the stage-light.\u003cbr\u003eThe interconnection between Giovanni's visual and audio artwork is significant. Words twist and dissolve; blotted with ink, soaring across an empty score. This album acts as a frame for these 14 pieces, which can be seen as they are heard, spilling from speakers as letters meeting paper. First edition (315 copies) includes 16 page 9x9\" pamplhet with 3 critical essays: \"Hypervox and electrophonic mask\" by Giovanni Fontana, \"Giovanni Fontana: Poetry as Action and Sound\" by Patrizio Peterlini, \"Giovannis Adventures in Mediumland\" by Jean-Pierre Bobillot. Color images (score excerpts, artwork, etc.) and Program Notes written by Fontana\" - Recital. \u003cbr\u003e\u003cbr\u003e\"Fucking brilliant Sound Poetry rescue by Recital. Giovanni Fontana is a Sound Poet active from the late 60s right up to today. Epigenetic Poetry is a survey of his career and is really fantastic. The first nine pieces are from 1968- 1983 and the last five are from between 1993 and 2014. I got a little nervous when the newer stuff started as increased technology is usually a detrimental factor, but, no worries, the newer pieces are just as great as the old ones. This is top notch Sound Poetry with a lot of tape work and some instruments. Epigenetic Poetry is right up there with the best Alga Marghen Sound Poetry reissues. Anybody who is interested in Modern composition should be very interested in Sound Poetry. Comes with a beautiful and informative colour booklet. If you are unfamiliar with Sound Poetry, this would be a great place to dive in.\" - Scott Foust.\u003ciframe width=\"600\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/VPf4jnd9S-Q\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"Recital","offers":[{"title":"LP","offer_id":52015663175,"sku":"19393-RECITAL","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-8929144-1471678591-5178_jpeg.jpg?v=1571718416"},{"product_id":"moonlight-the-edge-modern-dance-in-the-twilight-zone","title":"MOONLIGHT - The Edge (Modern Dance In The Twilight Zone)","description":"\u003cp\u003eShadoks Music present a reissue of Moonlights The Edge (Modern Dance In The Twilight Zone), originally released in 1978. All the members of Moonlight came from the same town of Turku, located in the south west of Finland. They met each other at school in the mid 70s. Their ambition was more to focus on making their own music and sing in English which was not the common in Finland at the time. Kim Trapp and Anders (Andy) Winter were the actual composers and Bj_ɬ_rn (Bob) Wasenius made the lyrics. Paul Kanerva helped out with both from time-to-time. Their musical influences were Steely Dan, Procol Harum, Santana, Pink Floyd, along with Ian Dury and Blondie. They had a large scale of music they liked and listened to, playing music by Uriah Heep and Led Zeppelin before composing their own pieces. Their music was, as a result of a large scale of interest, some kind of mixture of psychedelic\/progressive rock and melodic softer music. Moonlight was active between mid 70s and 1979. They got a record deal in Finland with Top Hits and released this album in 1978. For fans of Finnish bands such as Hamlet, Wigwam, Nimbus and Session. Originals are very rare. Personnel: Kim Trapp - keyboards (Hammond, Leslie, Korg, Minimoog); Bj_ɬ_rn (Bob) Wasenius - drums, vocals. Paul Kanerva - bass; Anders (Andy) Winter - guitar, vocals. Comes in a heavy sleeve, as 180 gram vinyl and with a two-page insert. Edition of 400 (numbered)._¢‚Ǩ¬ù - Shadoks.\u003c\/p\u003e","brand":"Shadoks","offers":[{"title":"LP","offer_id":52023436423,"sku":"18977-SHADOKS","price":37.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-6950168-1430224684-1632_jpeg.jpg?v=1571718455"},{"product_id":"soggy-s-t","title":"SOGGY - s\/t","description":"\"Formed in 1978, Soggy started with covers of Alice Cooper, Black Sabbath, MC5 and the Stooges but quickly began writing their own songs and developed a unique style, mixing hard rock and punk rock in a Stooges vein. In April of 81, the Waiting For The War 7 was released and a video was shot for French TV. After more than 100 concerts, the band split in July of 1982 but their cult status has only grown over the years. The French label Memoire Neuve released their record in an edition of just 500 copies and it is now long out of print. Original copies of that LP and the single are now in hot demand in collector circles, with original copies of the single selling for over $200. This release from Outer Battery is the full LP, including the tracks from the Waiting For The War single!\" - Outer Battery.\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/189152283\" width=\"600\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\\r\\n\n\u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/189152283\"\u003eSoggy - Waiting for the War - OFFICIAL trailer\u003c\/a\u003e from \u003ca href=\"https:\/\/vimeo.com\/user10721841\"\u003eOuter Battery Records\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\"\u003eVimeo\u003c\/a\u003e.\u003c\/p\u003e","brand":"Outer Battery","offers":[{"title":"LP","offer_id":52023619207,"sku":"19055-OUTER BATTERY","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/OS04NTc4LmpwZWc.jpg?v=1671380424"},{"product_id":"fondation-les-cassettes-19801983","title":"FONDATION - Les Cassettes 1980-1983","description":"In the early 1980s, the French musical duo Fondation, comprising Ivan Coaquette and Anannka Raghel, released three tapes of fantastic electronic music which owed much to the experimentalism of the seventies. Synthesizer, drum computer, solo guitar. Repetitive, meditative, hypnotic -- between ambient and synth pop. Les Cassettes 1980-1983 presents a selection of their finest pieces from this period. During an extended sojourn in Italy around 1970, the multi-instrumentalist Ivan Coaquette contributed to the highly experimental artist collective Musica Elettronica Viva, who were on a mission to liberate music from every form of convention. Back in France, he played in various experimental prog rock bands such as Spacecraft and Delired Cameleon Family. His wife Anannka began learning to play the piano at the age of four, studied music theory, and sang together with her father, a professional vocalist. Her focus subsequently shifted to theater and dance, but she would return to music, taking up piano and singing lessons again and playing in bands like Spacecraft, Pandemonium, Zed, and Chantal Grimm. Between 1980 and 1983 they managed to release three lovingly crafted cassettes. Opting for this format rather than the LP was not solely an economic decision. The duo stated a preference for the longer playing time which cassettes afforded. All three tapes had a running time of around 60 minutes. Fondation created sonic collages underpinned by synthesizer, organ, drum computer, and guitar, enhanced by bursts of noise, field recordings, diverse percussion instruments, and the occasional wordless lament sung by Anannka Raghel. Although synthetic sounds are the foundation\" of all Fondation pieces, synthesizers are not -- in contrast to \"classic\" Berlin School (Berliner Schule) acts such as Tangerine Dream or Klaus Schulze -- especially prominent in their music. Noteworthy is the use of a Korg X-911 guitar synthesizer, related to the popular black series Korg MS-20 synthesizer. The X-911 transforms a monophonic input signal into synthetic sound. The source instrument for this signal is revealed in its name. Thanks to their use of the X-911 guitar synthesizer, Fondation was successful in blurring the distinction between synthesizers and guitars with a synthetic sound. For this album, Bureau B have selected the most intriguing and illuminating tracks from the three tapes Metamorphoses (1980), Sans Etiquette (1980), and Le Vaisseau Blanc (1983).\" - Bureau B.\u003ciframe width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/345377088\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Bureau B","offers":[{"title":"LP","offer_id":13354240770111,"sku":"20549-BUREAU B","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-11425807-1516115134-7790_jpeg.jpg?v=1571718524"},{"product_id":"milligan-ned-nature-always-needs-improving","title":"MILLIGAN, NED - Nature Always Needs Improving","description":"Limited to 100. “Ned Milligan now presents his new album, Nature Always Needs Improving, building on the momentum generated by his admired third LP, Continental Burns. Echoing that albums mode and structure, Nature Always Needs Improving offers a handful of tender, minimalist pieces before giving way to a spectral side-length conclusion. The deep intimacy of the album is enhanced by its process—primarily recorded outdoors on porches or in yards—and by the unpredictable interaction of incidental sounds with traditionally musical sound sources, especially resonant chimes.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe title of the album—a phrase originally found in a decades-old beauty ad—is presented as a statement but taken by Milligan with a healthy amount of skepticism. Musically, the idea is further considered in the contrast of untreated, in-situ recordings of chimes and kalimba with more heavily processed pieces comprised of interwoven overtones. At nearly twenty minutes long, “Sternal Sky,” the albums finale, appropriately synthesizes what has come before in a gauzy, homespun glow. Nature Always Needs Improving is a refinement of some ideas and an exploration of others. Inspired by artists like Federico Durand, Chihei Hatakeyama, and Philip Corner, it was equally influenced by rural excursions, house sounds, and afternoons spent with dogs.” — Florabelle.","brand":"Florabelle","offers":[{"title":"LP","offer_id":13354244866111,"sku":"20635-FLORABELLE","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-11016387-1508289555-5190_jpeg.jpg?v=1571718526"},{"product_id":"jay-the-general-tommy-florida-songs","title":"JAY \u0026 THE GENERAL, TOMMY - Florida Songs","description":"\u003cp\u003eTommy Jay and The General have been kicking around the Columbus scene (and various points on the map of that scenes diaspora) since the days of the True Believers (the ur-group in the history of Columbus underground hubbub). And this newly recorded album shows them to be at the height of their own amazing arc. Florida Songs is only Tommys third proper LP under his own personal name and its a killer. Recorded with help from a few old friends, including Nudge Squidfish, Florida Songs is a classic raunchy rock formulation by every known standard. Although the mood and tone shift mightily from song to song, the main thrust of the music here is brain-spattering ROCK of the pre-punk variety. Regardless of the fact these guys basically invented the template for several generations of punk\u0026gt;indie musicians, what they offer here is a survey of the roots of that music. You can hear shards of everything from the emotional bombast of Armand Schaubroeck Steals to Andy Zwerlings folk-rock readymades to the laid-back fury of the Stalk-Forrest Group to spurts of Roky Erickson phrase-howling at its gnarliest and onward and upward. These guys even throw in little production touches worthy of Bob Ezrins work on Berlin. I shit you not. As anyone whos been lucky enough to catch Tommys band live recently can tell you, Mr. Jay and cohorts are firing on all cylinders. And if this album is not hailed as a chunk of modern form genius at the apex of high, then all is fucking lost. Edition of 250. - Byron Coley.\u003c\/p\u003e","brand":"Feeding Tube","offers":[{"title":"LP","offer_id":13354261053503,"sku":"20975-FEEDING TUBE","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-11971002-1525734335-4047_jpeg.jpg?v=1571718555"},{"product_id":"nexda-words-numbers","title":"NEXDA - Words \u0026 Numbers","description":"Mannequin Records, Emotional Rescue, and Blowpipe come together to release the music of Dutch post-punk, industrial outsiders Nexda with a collection of music drawn from all their single and EP vinyl releases. Taken from two 12 EPs, a split 7\", and a flexi 7\", all released in 1982, the music within Word \u0026amp; Numbers captures striking compositions, part of, but in some way removed from their contemporary post-punk bands coming out of the Dutch \"Ultra\" scene of the time. Developing out of a series of concerts in Amsterdam, Ultra expanded to Eindhoven, Nijmegen, and Haarlem, with artists and musicians creating their own work spaces and studios. Driven by the DIY mentality of the punk movement, this uniquely Dutch take on the post-punk ethos embraced avant-garde thinking and experimentation that disseminated in ideas and from that, sound. Coming from Haarlem, Nexda -- consisting of Ivo Schalkx, Karin Hueting, Martienden Nijs -- played music on handmade drums, metal, organ, saxophone, and voice. Releasing a series of cassettes on their and Wim Dekkers (Smalts, Minny Pops) Studio 12 label, the latters link with Wally Van Middendorps Plurex label, resulted in the release of Nexdas two EPs -- 246, 121 and 657 (1982) and Second (1982) -0 with artwork of Ivo Schalkx, are included here, both in their entirety. Capturing the bands heavy percussive backdrop, raw, dub baselines contrast with questioning, mainly spoken-word lyrical poetics, saxophone underplay and occasional Pablo-style melodica. The avant nature of the music is apparent and enticing, where experimentalism and artistic expression was sought over commercial success and technique and song form were less important than the process of exploring ideas. The none-descriptive titles match song structures that jettison the traditional verse-chorus-verse; weaving across the eight songs so that they can be heard as one, as much asshort bursts of individual statements. Graphic design rework by Alessandro Adriani. Mastered by Rude 66.\" - Mannequin.\u003ciframe width=\"600\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/yaWH_IWDbJk\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Mannequin","offers":[{"title":"LP","offer_id":13354261381183,"sku":"20984-MANNEQUIN","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-11984384-1525999992-8722_jpeg.jpg?v=1571718555"},{"product_id":"v-a-dutch-wave-a-history-of-minimal-synth-wave-in-the-netherlands","title":"V\/A - Dutch Wave: A History Of Minimal Synth \u0026 Wave In The Netherlands","description":"\u003cp\u003eThe first chapter of Onderstroom digging into the history of Dutch minimal synth and wave. Who needs a big, expensive recording studio with all those fancy high-tech machines that only make your weary head spin when you can do it all by yourself at home in your (teenage) bedroom? Way back in the early eighties all you really needed was an idea, quite a bit of guts and some rudimentary equipment. You could basically do whatever you wanted. The means were limited, yet the sky was unbounded. It was the time of the Cold War nuclear threat, social unrest and mass unemployment but at the same time it was an era of infinite possibilities. The future was just around the corner. A lot of music that was being produced sounded just like that: a brave new world of sound and rhythm. Music was simply put on cheap cassettes, easily duplicated, and swiftly distributed in limited quantities into the big world outside. Tracks recorded in Amsterdam, Arnhem of Heiloo ended up in unimaginable destinations such as Brisbane or Buenos Aires. Prolific international underground scenes were informed of this new wave of Dutch electronic artists by means of word of mouth, fanzines, devoted underground tape traders, and sometimes that tiny bit of luck. As their predecessors of the (in)famous Dutch East-India Company (now cult) acts such as The Actor, Ende Shneafliet, Das Ding, Störung, S.M. Nurse, Nine Circles, Beatnik Love Affair, and Van Kaye + Ignit all explored their own paths. Some went straight into oblivion, others had a brief taste of modest upper-ground success. Mind: the names presented here are but the proverbial tip of the iceberg. Some of these early tapes became much sought-after collectors items; others gathered dust. The rest, well, is history. Now, decades upon decades later, Onderstroom digs again in history and surfaces with a selection of tracks that illustrate the rich past of electronic Holland. Call it minimal wave, synth-pop, or experimental electronics. Onderstroom call it the real Dutch treat. Features Nine Circles, Beatnik Love Affair, The Actor, Störung, Van Kaye + Ignit, S.M. Nurse, Ende Shneafliet, and Das Ding. Comes in a gatefold sleeve with metallic finishing; 180 gram vinyl. - Onderstroom.\u003c\/p\u003e","brand":"Onderstroom","offers":[{"title":"LP","offer_id":13354261413951,"sku":"20985-ONDERSTROOM","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/OS036LP_CU.jpg?v=1571718555"},{"product_id":"small-world-experience-soft-knocks","title":"SMALL WORLD EXPERIENCE - Soft Knocks","description":"Limited to 350 copies. “Small World Experience fuse easy listening classicism, angular guitar pop, and Pat Ridgewells wry, affecting lyrics.\u003cbr\u003eThe band often featured Minimum Chips members Ian Wadley on drums and Julian Patterson on bass. Chapter Music released the modern classic album Side Projects on vinyl in 1998.” - Chapter Music.\u003cbr\u003e","brand":"Tenth Court","offers":[{"title":"LP","offer_id":13354262822975,"sku":"21023-TENTH COURT","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-10538110-1499472674-6172_jpeg.jpg?v=1571718557"},{"product_id":"siliya-jesper-giant-steps","title":"SILIYA, JESPER - Giant Steps","description":"\"Shadoks Music present a reissue of Jesper Siliya's Giant Steps, originally released in 1978. This album by Jesper Siliya was released originally on the same label as Chrissy Zebby Tembos My Ancestors. Jesper Siliya used to play with the Ngozi Family and most likely, they played with him here. This is his sole album as a band leader, and its a great one -- very catchy, simple but beautiful compositions, youll find yourself singing these songs in your sleep. Heavy fuzz-guitar is all over the album -- Fuzz guitars all over with African beats and political lyrics. Originals are impossible to find in any condition and the prices are high when you do find them. African rhythms and 70s rockish underground moods -- never too polished. A sugar \u0026amp; spice\" album. The music suits all fans into Zam-rock such as Ngozi Family, Witch, and Amanaz. Heavy sleeve; 180 gram vinyl; Includes CD; Edition of 500 (numbered).\" - Shadoks.\u003cbr\u003e","brand":"Shadoks","offers":[{"title":"LP + CD","offer_id":13354263674943,"sku":"21044-SHADOKS","price":47.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/SHAD195LP_CU.jpg?v=1641665010"},{"product_id":"v-a-outer-himmilayan-presents","title":"V\/A - Outer Himmilayan Presents..","description":"Dark Entries and Sacred Bones team up to release the early discography of UK synth-punk and Deathrock label Outer Himmilayan Records. Between 1979 and 1982, Nick Blinko (RUDIMENTARY PENI) and Martin Coopers Outer Himmilayan Records released 7-inches by three short-lived bands – The Magits, Soft Drinks, and S-Haters – who would nonetheless cast a massive shadow on the UKs burgeoning post-punk\/anarcho punk scene. Outer Himmilayan Presents collects all of the music found on those original records, along with rare and unreleased tracks by all three bands. Its a snapshot of a period of frenzied creativity by some of the UKs most thrilling experimental punks.\u003cbr\u003e\u003cbr\u003eComes with 20-page zine featuring all liner notes and ephemera associated with the original releases, alongside previously unreleased photos. Vinyl-only. - Sacred Bones.\u003cbr\u003e\u003cbr\u003e\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/423679926\u0026amp;color=ff5500\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe width=\"600\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/bzk_iQRyvY8\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"Sacred Bones","offers":[{"title":"LP","offer_id":13354264231999,"sku":"21056-SACRED BONES","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-12039580-1527074023-4817_jpeg.jpg?v=1571718557"},{"product_id":"mason-josh-coquina-dose","title":"MASON, JOSH - Coquina Dose","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eLimited to 150. \"Coquina Dose is an album of uncommonly intimate gestures and reflections, many of which are inspired by Josh Mason’s lifelong home of Florida—what it means to live there, other people’s perceptions of it, and its unofficial status a “humidity kingdom.” In evoking this atmosphere, Mason utilizes guitar and tape, which has been so emblematic of his work, but also further engages with new ideas in synthesis, and even the bio-feedback of plants. The processes are fascinating but ultimately secondary to the emotional tenor of the album. It’s remarkable how gentle, reflective, and quivering—really, how alive this music is.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eConsistent through Mason’s work on labels like Dauw, Desire Path, and Scissor Tail is an appreciable sense of beauty, to be sure, but also real emotional resonance. Coquina Dose evokes a great deal through modest gestures, from the effervescence of the opener (“Crack the Juice Code”) through to the wrenching elegy of “Pelagic Scout Badge”. With this new work, Mason expands his sound, exploring new areas while retaining the essence of what made his prior work so meaningful. In this sense, it is a tender achievement.\" - Florabelle.\u003c\/div\u003e","brand":"Florabelle","offers":[{"title":"LP","offer_id":15974488768575,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/a2290820544_10.jpg?v=1571718663"}],"url":"https:\/\/www.fusetronsound.com\/collections\/recently-added-backstock-discogs-draft.oembed","provider":"fusetron","version":"1.0","type":"link"}