Limpe Fuchs is a legend in the experimental music scene. In the late 60s, this percussionist drummed on self-made instruments, together with her then-husband Paul Fuchs, in the Ensemble Anima, working on the periphery of krautrock and free jazz. During that time, Limpe and Paul Fuchs worked with the classical pianist star Friedrich Gulda, as well as with jazz luminaries like Albert Mangelsdorff, and continually attracted the interest of their audiences in new constellations. Limpe Fuchss solo performance with variable wood and stone rows, ringing bronze in the pendulum strings, and a variety of skin and bronze drums" is a rare occasion to witness one of the early avant-gardists of the scene from the old Federal Republic of Germany. She attempts, while playing live, to develop her musical ideas from the "resonance of the location where the performance takes place" and "to make music in the flow of time, with simplicity and emotion." Her main concern is to sensitize the process of hearing: "Every tone is a sensation. Listening instead of shutting ones ears. Establishing silence." The album Monte Alto was released in 1977 on the band-owned label Alter Pfarrhof. It may be the best Anima album ever, if for no other reason than the wonderful freely improvised piano piece on the B-side. This is the first reissue of Monte Alto, and it is presented in an elaborate silkscreen print, hand-numbered, and limited to 500 copies, co-released by Play Loud! Productions and Youdonthavetocallitmusic. This reissue appears in advance of Limpe Fuchs and Play Loud! Productions release of Limpe Fuchss archival back catalog, along with some previously unreleased recordings and films, and new recordings, and follows many previous Anima/Limpe Fuchs releases that have been made without the permission of the artists." - Play Loud.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.