Peter Behrendsen (b. 1943) is a Cologne-based radio producer, performer, and composer of experimental music. He started concerning himself with electro-acoustic music in 1972. He was a member of Josef Anton Riedls ensemble and an assistant to Klaus Sch_ɬ_ning at the WDR radio play studio (Studio for Acoustic Art). In Cologne, he organized numerous concerts and festivals for experimental music, most notably Br_ɬºckenMusik, a series of concerts in the box girder of the Deutz bridge. He regards John Cage, Alvin Lucier, Jackson Mac Low, and David Tudor as his most important teachers, with whom he also collaborated, and has performed his own live-electronic and text-sound compositions throughout Europe. This LP pairs a live-electronic and a text-sound piece: Nachtflug" ("Night Flight", 1999) is based on electronic treatment of the sounds of bats made audible, and is performed by Hans W. Koch and Behrendsen. "Atem des Windes" ("Breath of Wind", 1999-2005) is a text-sound composition on the subject of the wind, inspired by a Taoist text by the Chinese philosopher Zhuangzi, and features the voices of Bettina Wenzel and Behrendsen. Full-color sleeve and inner sleeve; Edition of 300." - Edition Telemark.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.