Theres a new muse at the house of BLUES CONTROL. Yes, mother nature! Now located in the Woodstock of east Pennsylvania, Lehigh Valley, Blues Control conceived Valley Tangents far from the madding crowds theyd previously swarmed with and composed among. Could this be the reason for the homegrown, natural feel of the music, with the metronomical hissing of summer mosquito-bots behind their signature Debussy via Guaraldi qua Bley qua Hornsby pianisms, and the playful juxtapositions of a full spectrum of rock colors: stadium, industrial, psych and prog (to name just a few)? And yet, Blues Controls shape-shifting qualities could lead us to type them as a mystic lounge act, with spacey guitar leads, a clarion synth and the punch of real drums. Only to suddenly discover they were instead playing inside a world music bag, wrapping their mellow drug-mospheres around a crisp keyboard center, evoking heat and nature with waves radiating from seemingly formal western scales! The exotic and the classical, wedded together with a freedom the old masters couldnt imagine. Of course, man has always yearned to smoke the grass on the other side of his societys fence-like McCartney in the jungle playing his staid English beats while running through ebony and ivory scales, Blues Control are liable to superimpose the British blues over new waves just to feel the juice run down their legs. Upon hearing Valley Tangents, long-time listeners will surely attest that the band are increasingly capable of anything in the spectrum they feel should be integrated. - Drag City.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.