Edition of 300 reissue of the 1983 LP. One track was featured on the recent Outro Tempo: Electronic And Contemporary Music From Brazil 1978-1992. "The outer cover is made of high quality recycled paper, printed by silkscreen, with a rework of the original artwork made in 1983 by Elifas Andreato, representing a metal nail in a piece of wood releasing blood, because the union of the poroguese words Metal and Madeira (metal and wood) create the word Alma (soul). On the inner cover there’s the original artwork in full color. With the record, you will find an insert with the full artist description of his work and all the artists involved." - Les Giants.
"In 1983, with 27 years of age, already working intensely and carrying my instruments on the road of music in variousdirections and already fully contaminated by dreams of music and the magic of recording, which started with my beloved and memorable GroupAcaru in1980 in the live album recorded in Tokyo and the album Aqualouco recorded in SãoPaulo in 1981, at the dawn of independent production in Brazil. With the dispersion of Group Acaru, i t was inevitable for me to go solo, notvery common for a percusion player at that time. Looking at my instruments I realized that most were made of Metal or Wood and the junction of these two words in Portuguese “Metalmadeira” generated a third word “Alma” which means soul, and expresses intensely where my artistic and musical expression was coming from, and it was outside academia. “Metalmadeira”, now a 35-year-old son, keeps giving me joy and feeding mysoul! At the São Paulo Art Biennial in 1984, I gave a copy of this album to the English musician and producer Brian Eno who was doing a seminar on minimalist music. In 2016 DJ and producer John Gomez in a CharityBazaar in Lodon found that copy which I had autographed. Three songs were included in the compilation. “Outro Tempo”(AnotherTime), released on vinyl in Europe brought memore joy and guided me here for a special opportunity to work on new versions of two songs from that album, Madeira I and Madeira II, with the participation of two legendary Brazilian artists no longer among us, singer-songwriter Belchior and the virtuoso bassist Nico Asumpção, featuring the keyboard players Paulo Calasans and João Cleber Frutuozo, and the elegance of the musician and mixing engineer Emil Shayeb, a gift to us offered by “LesGiants” that once again believe in the magic of the Metal and Wood. Thank you all!” - Marco Bosco, Torinha 2019.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.