"The involvement in the improbable challenge of a collaboration with another musical entity takes on its full meaning when the two characters have radically different personalities. In 2001, the merger of Brume with the American project Bastard Noise would have seemed surreal. One works in the field of musique concr_ɬ®te, and the others in what we can call power electronics, making their own sound generators. The first album of this association materialised with a very successful CD. 2012 . . . up pops up this _¢‚Ǩ_ìalien_¢‚Ǩ¬ù, unique in the French music scene: Vomir, the project of Romain Perrot. Some monolithic hard-liner _¢‚Ǩ_ìwalls of noise_¢‚Ǩ¬ù stretching endlessly. . . . The paradox of the music of Vomir is that this sonorous fire ship manages to blow you away, this magma being so hypnotic, similar to the German long electronic tracks of the 70s. Amazing. Armed with his experience with Bastard Noise, Brume contacted Vomir for a new musical experience, a new challenge. . . . The result was arranged by Christian Renou in his own home studio. Any description would be shallow to describe the result. Sharpen your ears and let yourself drift away with these thermonuclear explosions" - Christian Renou, January 2014.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.