"The fifth LP by English guitarist Jon Collin is also his first U.S. release. Jon first came to our attention when he started the Winebox Press label. This fairly nuts project involved choosing a wooden object (like a wine box or door) from which to create cases (some of them quite complex) for cassettes he released. The size of the edition was determined by the number of the packages he was able to create from the original object, and the labels creations were pretty amazing. Some of his early bands, like Whole Voyald Infinite Light and the Serfs were documented, along with artists like the Hunter Graccus, Chora and Taming Power. Eventually he began to issue solo recordings, and they sounded as brilliant as they looked. This led to occasional U.S. tours, interest from other labels and a worldwide explosion of all things JON COLLIN. Well, thats not all really true. But the basics are. Collin is a wonderful player, incorporating the distention of Loren Connors alongside the blues figures of Jack Rose and the lyrical melodicism of Robbie Basho. He can also throw in blurts that are pure Derek Bailey to throw the punters off, but thats his business. This new album (which will be followed in a few months by Volume 2) is a lovely example of his most evolved beauty-moves, riven with hairs and rivers of discord, but generally dedicated to expanding (rather than collapsing) the head of anyone who will take the time to listen. Make time for it. You will be copiously rewarded." - Byron Coley.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.