"Amelia Cuni was born in Milan and has lived in India for more than ten years where she studied dhrupad singing with various renowned masters. Werner Durand has been performing his own music for saxophones, Iranian ney and self-made wind instruments since the late 70s. He started building his own wind instruments from plexi-glass, PVC and metal tubes in the early 80s and has performed in various groups including The Thirteenth Tribe and Armchair Traveller. Since the 90s, Cuni and Durand have been performing together as a duo as well as in collaborations such as Tonaliens and Born Of Six. Diasporagas, sub-titled Ancient Trends and New Traditions in Indo-European Music", summarizes their various musical projects in which her Indian raga singing meets his minimalist and experimental approach. In all of their collaborations, they have been creating unique forms and expanding the palette of their sound worlds while keeping the essence of raga music, justifying the use of the term in its original meaning. The title is meant to be understood as a statement to provoke reflections on our ideas of cultural identity vs. globalization, and tradition vs. experimentation. A central Diasporagas work is "Hiss (Mastered Noise)" for dhrupad singing, invented wind instruments, Indian percussion and samples of historical recordings by Indian singers. It is partly based on their earlier work "Gramophone Saraswati" which involved replicas of Luigi Russolos intonarumori instead of the Indian recordings. This LP includes "Hiss (Mastered Noise)" and two other pieces entitled "Aqua Shiva" and "Agana Song". Comes in a full-color sleeve with a printed inner sleeve reproducing the score of "Hiss (Mastered Noise)". Edition of 300." - Edition Telemark.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.