FRISBEE, EMMETT - Sound Paintings: Soon To Be A Major Film
Sealed, original copies of this 1980 release. _¢‚Ǩ_ìEmmett Frisbee used to travel the country entering Hoagy Carmichael look-alike contests. He was never a winner, though once he was one of the ten finalists. \r\nDiscouraged, penniless and having turned vegetarian, Emmett decided one Thanksgiving over his bowl of cold oatmeal to make music his career. Life took an immediate upward swing. Today, Emmett Frisbee owns a tuned piano and two pairs of shoes. He is the father of two children and doubles on sax.\r\n \r\nThough he plays a gig here and there, mostly for House-of-Toast Fast Food Restuarant closings, Emmmett whiled away most of the summer fashioning this totally ridiculous collection of absurd sounds, hoping to pawn it off to his friends under the guise of an "album."\r\n \r\nIt IS original, no doubt about it. Every cluster of chords, run of notes, refreshing pauses (if only there were more_¢‚Ǩ¬¶) and chains of melodies poured from the creative cranium of one Emmett Frisbee. However it is still unclear why he chose to originally title this album The Best of Gladys Knight and the Pips. The album has been retitled Sound Paintings._¢‚Ǩ¬ù _¢‚Ǩ‚Äú Donna Tabor, Sound Paintings album notes.\r\n
\r\n_¢‚Ǩ_ìConceived by _¢‚Ǩ_ìPedestrian Saxophonist,_¢‚Ǩ¬ù Emmett Frisbee of Pittsburgh, and _¢‚Ǩ_ìsoon to be a major film_¢‚Ǩ¬ù, Sound Paintings is pretty much everything you could possibly want from a 1980 soundtrack to an avant garde movie that exists only in the head of it_¢‚Ǩ‚Ѣs author. Bugged out fusion, field recordings of trains and typewriters, intense synth experiments, solo lounge piano and an almost keytar-ish tribute to jimi hendrix (!!). He_¢‚Ǩ‚Ѣs even backed by a pretty formidable band of pittsburgh sessioners including Larry McGee & Kenny Blake._¢‚Ǩ¬ù - Waxidermy.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.