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Pan

MARGINAL CONSORT - INSTAL. Glasgow 2008

PAN is honored to present one of its boldest releases yet; a 4LP edition of a 3-hour set from the legendary Japanese group, Marginal Consort, recorded live at Arikas INSTAL 08 festival at The Arches, Glasgow. Marginal Consort is a Japanese avant-garde improvisational collective made of sound and visual artists, who were all students of Takehisa Kosugi at the radical Bigaku School of aesthetics in Tokyo in the 70s. The group is a reformation of the East Bionic Symphonia, who released an incredible long-form drone record in the early 80s, a large improvisation ensemble in the spirit of Kosugis Group Ongaku and Taj Mahal Travellers projects. Marginal Consort is formed around musicians Kazuo Imai (a student of Japanese free jazz linchpin Masayuki Takayanagi and also member of both Taj Mahal Travellers and Takayanagis New Direction Unit), Tomonao Koshikawa, Kei Shii, and sound-artist Masami Tada (also in GAP). This extended set explores forms of sound and ways of playing that never coalesce into music, but create a group dynamic of ebb and flow, of exploration and fluidity. Marginal Consort also featured previously artists Yasushi Ozawa, bassist in Keiji Hainos Fushitsusha, and Chie Mukai, from dreamy psychedelic group Che-Shizu. With this cast on board, they took their free improvisation to the streets to create drones and percussive interplay in urban communal harmony. A form of sound that does not turn into music and a group that does not produce harmony; individual concepts and group fluidity; individuals who are at once independent entities and components of the whole; coexisting time frames and intersecting rhythms -- these are among the images of group improvisation that have occupied my mind since the 70s. These images neither presuppose specific elements nor regulate the entire process. There always remain, however, the fundamental premises that sounds are separately produced phenomena and that their accumulation forms the whole." --Kazuo Imai; 4LP mastered and cut by Rashad Becker at Dubplates & Mastering and pressed on 4x 140 gram vinyls which themselves are housed in a silk screened PVC sleeve. - Features liner notes by Barry Esson, extended photo documentation by Bryony McIntyre and artwork by Bill Kouligas." - Pan.

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  • Regular price $46.00


After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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