"Klaus R_ɬ_der is a guitar virtuoso and electronic music artist who studied with Kelemen and joined Kraftwerk for their famous Autobahn LP. He often works with very small sound particles, whose sound comes from different sources, like tearing paper, the voice, a musical instrument, synthesizer or computer sounds. Sound structures are built by joining together those sound particles and, by mixing those structures, Roeder forms chords. Then the process of crystallization begins. Usually crystallization means that small parts are deposited around a germ and form a growing crystal. The shape of the complete crystal is a consequence of outer influences. A series of sound crystals form, then the complete musical composition. Side 1 presents two electronic music works: 10: 11: 12 (1980) for self-built Impulse Generator is an obscure, very minimal and abstract pulsating piece, while Kristallisation 4 (1991) for Computer Sounds and Yamaha DX 802 might be considered one of the peaks of Klaus R_ɬ_der Kristallisation series. Side 2 introduces us to a different formal result of R_ɬ_ders crystallization process: the short Haenschen Blues (1993) for children singing and crying, Yamaha TX 802 controlled by selfmade programs for Atari TT is a both playful and sinister electronic assemblage anticipating the peak of this record, Potpourri (1985) a collage of short sound particles from German pop hits of the 1970s and 1980s. In the perspective on sound collages (from Battiato Ethika Fon Ethica to Bladder Flasks first LP, from NWWs most surrealistic works to John Oswald classic plunderphonics) Potpourri might be more close to the brut masterpiece InOut by Anton Bruhin, only constructed in a more advanced and scientific way. Edition limited to 300 copies, also including a series of inserts with the diagrams and schedules of the 4 compositions presented on this LP. -Planam
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.