"One of the most destitute and absorbing albums in Leyland Kirby's canon is finally given a much-needed vinyl pressing, following on from its initial CD release in 2008. Bleaklow is harrowing from the start, the opening Something to Do with Death" reverberating dread via layers of unstable, radiant drones punctuated with pained, hi-pitched howls that cut through the mix with violent intent. "Solemn Dedication" adds percussion to the mix and sits somewhere between classic John Carpenter and Nate Young, but its on "Indefinite Ridge" that things really take a turn towards that eerie, destabilizing sound Kirby can do so well, like a standout BoC vignette pounded by the rattle of industrial machinery malfunctioning in the background; its at once deeply unsettling and oddly comforting. "A Melody Drags Me Back" recalls the spirit of Kirby's best-known productions as The Caretaker, except in place of those old 78s you get just the vaguest hint of life and color beneath the endless layers of sonic unease. The album ends with "Ominous Sunset," an incredible 6-minute coda thats perhaps best compared to Kirbys Sadly, the Future Is No Longer What It Was set, sounding like Vangelis score for Bladerunner aged and degraded yet still somehow conveying all its retro-futuristic romance. Its an astonishing ending to one of Kirby's finest albums. Fully remastered and cut by Matt Colton at Alchemy." - History Always Favours the Winners.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.