The Tenses is a duo comprised of Ju Suk Reet Meate and Jackie Oblivia, two veterans of the weirdo art collective that is known as the Los Angeles Free Music Society. They also form the core of legendary experimental juggernaut Smegma. The LAFMS have been a singular force in DIY culture ever since the early 70s and encapsulated an endless string of projects and bands that married a sort of proto-punk with trashy guitars, avant-garde music, tape manipulations, free jazz, improv, and absurd vocalizations into a hyper-original and singular form of music. Theyre seen by many as the originators of noise music, and have been an immense influence on bands like Sun City Girls, Merzbow, Wolf Eyes, No Neck Blues Band, etc. The Tenses is one of the latest vessels for Ju Suk and Jackie to explore the outer realms of sound and space. Compared to the mothership that is Smegma, it is a more compact and intimate project where turntables, tape collages, distorted surf guitar and coronet are used to create elaborate, haunted atmospheres. After releases on Harbinger Sound and their own Pigface Records, The Tenses now add another chapter to their history with Howard, their LP on Belgian imprint audioMER. Howard is a mind-expanding tour de force that scrambles spoken-word deconstructions and spontaneous freak-outs into a musical non-sequitur; a strange and disorienting trip. Loops of voices from long-lost instruction movies, shortwave radio dramas that get overrun with sirens, various non-instrumental sounds, and a bewildering stretch of Link Wray-like guitar riffs; Howard is a record that oozes paranoia, the perfect soundtrack for making explosives in your basement. Comes in a limited edition of 300 copies with artwork by Wouter Vandevoorde and design by Wouter Vanhaelemeesch and Jeroen Wille. -Audiomer.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.