"Odd serially-inflected compositions for classical guitar. A wide breadth of obscure and fragmented influences represented here, all internal. Carter Thornton of Izititiz and Zakashi-Warashi." - S@1.
"If you are a fan of the archaic format of music storage and delivery known as vinyl then you are also probably experienced in the art of search and rescue when faced with a pre-auction era, dusty, moldy shop filled to the rafters with such blasts from the past. Every now and then one comes upon a platter in one of these fading outposts, marked at about $3.99. Cover seams split, maybe some radio call letters scrawled in marker, maybe a booze/coffee/bongwater spill splayed like a Rorschach on the back. Perhaps it is the cover art itself that draws your attention... black and white photos seemingly from another time in content and message. Or perhaps it is the title of the album... the way it rolls off the tongue, its playfulness marked by a seemingly obscure reference. The fact that there are no song titles may pique your interest... why is this? Are there even songs on there? You can see the gaps in the grooves so there is some sound being broken up with seconds of silence. You wipe the grime off the grooves with your shirt sleeve and take the disc over to the crappy player up by the register. You pop it on, slip the needle in the groove, and immediately you have the thought 'What the hell is this?!?!?' You're hearing one of those rare recordings of a singular and personal vision. A solo guitar performance that not only operates outside any current or previous fashions, but one that seems to render the idea of recorded music as commerce a nonreality. Although you are carried away with delight by the sounds you are hearing, you can't help but wonder why this person recorded this music. His intent is as elusive as the music he is presenting. It seems as though you are there with the player, this audio mirage helped by sounds of his chair creaking, his arm brushing against the side of his instrument, his fingers scraping across the strings. You purchase the item straightaway, as determined to figure out the history of the recording as you are to wear out its grooves with repeated listenings. With Ten Fingers for Forefathers the proverbial chase has been cut right to. Take a listen and see if you can crack the sonic code contained therein. Edition of 500 Recorded at Black Dirt Studio." - Black Dirt.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.