"Limited edition of 444. Includes hand-numbered certificate. "Recordings 1980-1981 is a compilation featuring Those Little Aliens & This Little Alien. There are several components that would contribute to what would become Those Little Aliens & This Little Aliens and the zine/labels Flowmotion, Image 341 and Un-Ltd Abilities, all run by British DIY protagonists Ian Dobson and Gordon Hope. The first of these came with the advent of punk and especially the "Anarchy Tour" which made its much-delayed debut in their home town of Leeds in December 1976 and introduced Ian Dobson to a scene that threw him into wholeheartedly as a seventeen year old looking for something different. With the "anybody can do it" ethos in mind, he invested in a cheap electric guitar and a drum kit. As the 1-2-3 of punk became either increasingly repetitive or commercialized, the drum kit was sold and the guitar was left to gather dust until early 1978, when an unlikely meeting in a record store with an intriguing sounding album in an almost plain white sleeve would turn Dobsons preconceptions of what music should be on its head. That album, Throbbing Gristles The Second Annual Report (IRL 001CD/LP, 1977), seemed to dispense with the ethos of "This is a chord, this is another, this is a third. Now form a band" altogether and suggested that those strange noises from a guitar were worth exploring. The advent of affordable monophonic/duophonic synths that didnt take up an entire room was also important. The recordings collected here using the Korg MS20, the Octave Cat, the legendary, but somewhat troublesome Wasp as well as the Korg SQ10 sequencer and the Boss Dr. Rhythm DR55. Recording was via a Tandberg 10x10 stereo recorder, Teac A108 Sync cassette deck through a Tensai 2030 amp, apart from the three compilation tracks which were recorded at the wonderful Colin Potters, a 4-track studio near York. All of this would have travelled no further than a bedroom in Harehills, Leeds without the humble compact audio cassette which, via a process known as "Magnitizdat", popularized by non-government approved bands in Soviet Russia, enabled the recopying and distribution of music for a minimal outlay, usually just a blank cassette, and stamps for the return postage. This release features the aforementioned compilation tracks along with tracks from the cassette releases Incident in Moderan (1980), Variable (1980) and Synthesizer Specialist (1980)." - Vinyl-On-Demand.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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