"The Efficient Space label follows its acclaimed 2016 Sky Girl compilation (EFFICIENT 002CD/LP) with Midnite Spares. Here, Australian music devotees András Fox and Instant Peterson hold a candle to overlooked avant-pop and electronic works by antipodean artists and outsiders working through the 80s and 90s. Through co-presenting their weekly radio show "Strange Holiday", the duo slowly upturned their locale for inspiration - archives, country bookstores, private collections and convenience stores - searching for a place to anchor their own identities in the oceans of the island continent. The ten tracks here acknowledge a minor history, passed on via a network of friends, friends of friends, the libraries of radio station 3RRR and more often than not, the artists themselves. Renowned mixed media artist Maria Kozic enters with the mysterious downbeat of "Trust Me", her partner Philip Brophy responsible for digital and analog sonic construction (as the MK Sound). A recurring character in András and Instant Petersons investigations, Brophy reappears with a score piece from his divisive feature film Salt, Saliva, Sperm and Sweat (1988), recorded as → ↑ → (pronounced "Tch Tch Tch"). Other links are thread under the surface. Melbourne inner north experimentalist David Chesworth explores his Australiana song-craft leading Whadya Want? on "Open Spaces". The short lived project also featured Philip Jackson, whose duo The Couch is restored from Fast Forwards dance issue - a pioneering cassette fanzine published by early-80s 3RRR personality Bruce Milne. The collection binds a certain musicianship thats indifferent to fame or chart success, although some artists unwittingly experienced this before and after. Poets Of The Machines Grace Jones techno-wave was a modest moment for Coral Island and Red Stripe, an English migrant who once celebrated a #1 UK Christmas single with an acapella cover of "Yazoo", while the morbid coming of age electronics of Foot And Mouth is a lesser known prologue to Sean Greenway and Matty Whittles rise as legendary teen punks heroes God. Quickly becoming a modern dancefloor hit, Mumbo Jumbos sole release "Wind It Up" is only now basking in its brilliance. The remaining figures shape the diversity further. Theres Sydney dub addicts The Igniters, Mixs groovy synth song about masturbation and the Cameron Allen and Graham Bidstrup soundtrack for petrol headed "ozploitation" film, Midnite Spares (1983) -- the compilations namesake." - Efficient Space.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.